由劉思遠所著的《浪子英雄與主權--英國王政復
闢喜劇中的政治形勢表征(英文版)》將復闢喜劇置於
歷史、社會和政治語境中加以研究，細致地分析了
1660年後五十年間九個頗具代表性的復闢喜劇。作者
通過聚焦浪子英雄這一人物舞臺形像的演變，討論了
現代主權概念在英格蘭的萌發與形成，以及協議主權
概念的確立，探究了英國喜劇從文藝復興時期的浪漫
喜劇向18世紀市民喜劇的轉變過程和社會歷史意義。

Introduction
01 The HistoricaI Context of Restoration Comedies and the RakeHero
02 Literature Review
03 Rake—Hero and Sovereignty
04 The Argument and Structure of the Dissertation
Chapter One
The Rake-Hero and Libertinism：
The Political Predicament of Royal Sovereignty
11 Rake-Hero and Patriarchalism：Illegitimacy of Royal Sovereignty
12 Rake-Hero and Fashion：Theatricality of Royal Sovereignty
13 Rake Hero and Misogyny：Ineffectiveness of Royal Sovereignty
Chapter Two
The Generic Tension between the RakeHere and Comedy：
The Legal Embarrassment ofAbsolute Sovereignty
21 Rake—Hero in Generic Disguise：Threat of Absolute Monarchy
22 Rake—Hero Spoiling the Comic：DeinslituliOnaIizing the Institution of PoliticaI Absolutism
23 Rakishness Resulted from Monopoly Generic Discourse：Reprimand of PoliticaI Absolutism
Chapter Three
The Rake-Hero Rearmed：The Endorsement of Contracted Sovereignty
31 Gentry Rival of Rake—Heroes：New Attributes of Governorship
32 Rake—Hero Contracted：Legal Settlement of Sovereignty
33 A New Rake-Hero：Confidence in PoliticaI Reforms
Conclusion
Bibliography