●1．Ibsen：A Contemporay Bangladeshi PlaywrightAhmed Ahsanuzzaman
●2．Ibsen’S Compass：Points of Dread and DesireAnneCharlotte Hanes Harvey
●3．On Peer Gynt：A Critical Review of the Annual Peer Gynt Performance in
●Golaa，Gudbrandsdalen Astrid Sather
●4．Norwegian Superman—or？What to think as a Norwegian when Ibsen has gone
●global，with John Gabriel Borkman as example Benedikte Berntzen
●5．A Doll's House and Kramer VS．Kramer：Objections to Family Law Bjarne Markussen
●6．Some Observations on Ibsen’S The Wifd Duck Charles Kalish
●7．Treading on New Ground：African Adaptations of“A Doll’S House”Cheela F K Chilala
●8．From Self．10st to Self．realization—Ibsen’S Nora and Chinese Women’S
●Quest for Modern Aimin Che？
●9．Multi—receptions of Ibsenism in China.From Misinterpretation t0 Innovation
●Liang Chen
●10．Interculturalism in Theatre and the Chinese Performances of Ibsen Chengzhou He
●11．Translating Ibsen in 2009：An Apology of Literality Cristina Gomez Baggethun
●12. Discord and Harmony between Human and Nature： An Ecological Interpretation of
●The Lady from the Sea Danni Dai
●13. The Role of Women in the Reception of Ibsen in Finland in the 1880s and 1890s H. K. Riikonen
●14. Intercultural Implications of A Doll's House ： Experiences with a Production of
●Ibsen's Play in Mozambique Helge Rearming......
內容簡介
Ibsen has remained a popular dramatist in China and he has made anotable contribution to China in the process of its modernity. He was one ofthe Western writers first introduced into China during the stormy years at ......
