作為一項奠基性的工作，《漢畫總錄》全面收集整理全球所藏中國漢代圖像，將把中國漢代乃至上古晚期歷史研究推進到一個新的高度，並使漢畫研究成為一門與敦煌研究、簡帛研究、甲骨文研究同等重要的專門學科，對中華文化的保存、研究、傳承具有重要意義。
本項目已被列為國家“十二五”重點出版項目，是一代學人心血之所繫。

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《漢畫總錄》是一個意義重大、影響深遠的重量文化搶救和文化建設項目，以照片、拓片、線描及墓葬位置復原圖等方式記錄漢畫圖像，對圖像的出土地點、年代、尺寸、材質、考古環境、畫面內容、圖像關繫等作全面著錄。項目計劃正編150冊，補遺50冊，將通過構建一部完整的漢代圖像志，為今後漢畫的保存、再現、使用等提供有力的支持和保障，為中國上古晚期的思想、政治、經濟、文化研究奠定堅實的基礎。作為本學術工程的第二期，《漢畫總錄》（11—30冊）對南陽地區的漢畫作了調查、整理、著錄，正編範圍限於南陽漢畫館所藏南陽及其諸縣出土和征集的畫像石，其他因客觀原因暫未收錄的部分，將在補遺卷中與南陽地區的畫像磚及其他材質、器物上的圖像一並陸續著錄。

凌皆兵,朱青生 主編 著