●Introduction
●Chapter One
●Experiencing Realism or Modernism in Practicing Arts?
●Authenticity,Truth,and Art in Frozen(1994)
●Chapter Two
●Super―Realism or Sur―Realism in Portraying a(t)modern Desire:Rain Clouds over Wushan's(1996)Rendition of the Subaltern
●Chapter Three
●Phantasmagoric Realism in an“Art Film”:Portraying Chinese“Middle Class”in Lunar Eclipse(1999)
●Chapter Four
●Onirogenic Realism in Narrating Love Stories:Suzhou River(2000)as a Historical Allegory
●Chapter Five
●Melodramatic Realism in a“Teen’s Movie”:Articulating the Logic of Market Society in Beijing Bicycle(2001)
●Chapter Six
●Revolutionary Realism or Sot Realism?
●Chinese Goodman in Jia Zhangke’S Still Life(2006)
●Chapter Seven
●Retrospective Realism in Memorizing the Chinese Working Class:On the Narrative Strategy of The Road(2006)
●Chapter Eight
●Critical Realism with the Taint of Religion:Salvation and Hope in Luxury Car(2006)
●Chapter Nine
●部分目錄