●《絲竹樂》Preface引言／001Rooting in Lingnan—The History of Cantonese sic / 009深植嶺南——粵樂的歷史沿革／009Germination: Booming of the Folk sical Bands / 010萌芽：民間私伙遍布各地／011Origin: The Product of ltiple Cultures / 016起文化共同作用／017Development: Masters and Masterpieces /024發展：人纔眾多名品輩出/025Reforms of the sical Instruments—The Soul of Cantonese sic / 033樂器變革——粵樂的靈魂精髓／033Prototype: Hard-Bow Performance to Depict Common Life / 034雛形：硬弓演奏繫民生／035Transforming: Soft-Bow Bringing New Life / 040轉型：軟弓改良創新風／041Maturity: Incorporation of the Western sic / 046成熟：洋為中用促傳播／047Contemporary C ntonese sic—Heritage and Innovation of Cantonese sic / 055當代粵樂——粵樂的傳承創新／055Heritage: Flowering Everywhere / 056傳承：萬家燈火萬家弦／057Innovation: New Skills to Create Grandeur / 062創新：技法突破振雄風／063Studies: Academic Reconstruction of the Culture / 066研究：學術重構文化潮／067Combination of the East and the West—Features of Cantonese sic / 073中西合璧——粵樂的藝術特點／073Rhythm: Elegant Brisk Lyrics / 074旋律：優美明快擅抒情／075Themes: Common Feelings over Different Generations / 078主題：世俗情感代代傳／079Styles: Merging of Soul and sic / 080風格：人樂相通達靈境／081Movement: Incorporation of the Western sical Techniques / 084旋法：中西合璧立新風／085 sical Instruments: Changing with the Times / 090配器：與時俱進爭芳妍／091Great Masters—Eminent Persons in the History of Cantonese sic / 097群星璀璨——粵樂名家人物志／097The Three Hes: Pioneers of Modern Cantonese sic / 098何氏三傑：引領粵樂發展的開拓者／099He Liutang: A Master at the Transitional Stage of Cantonese sic / 102何柳堂：粵樂目前承上啟下的音樂大家／103He Yunian: A Prolific Composer Determining the ition of Cantonese sic / 106何與年：奠定粵樂戲曲地位的多產作家／107He Shaoxia: A Master of sical Instruments Expertizing in the Classical Literature and Lyrics / 110何少霞：深諳古典文學和唱詞的樂器高手／111The Four Kings: Propellers Leading Cantonese sic to Its Golden Age / 114四大天王：推動粵樂走向黃金時代／115Lü Wencheng: A Master of Cantonese sic and Reformer of the sical Instruments / 118呂文成：一代粵樂宗師，力推器樂改革／119Yin Zizhong: A Pioneer Who Nationalized the Violin / 122尹自重：小提琴民族化先驅／123He Dasha: A Reformer of Guitar and Excellent Performer / 126何大傻：大膽改造吉他，演奏兩藝俱佳／127He Langping: A Lover of Classical Literature Dedicated to Folk sic Creation / 130何浪萍：酷愛詩詞，致力於民間樂曲創作／131Qiu Hechou: The Initiate Providing Textbooks of Cantonese sic / 132丘鶴儔：廣東音樂啟蒙者，編著最早課本／133Blooming—List of Classical Cantonese sical Pieces / 137百花齊放——粵樂經典作品錄／137“The Pathetic Story of the Two Stars”: Classical sical Piece Based on Chinese Folklore / 138《雙聲恨》：以民間傳說為題材的古曲／139“Lightning in the Blue Sky”: sic with New Performing Techniques / 140《旱天雷》：技法推陳出新的粵樂佳作／141“Plantains in the Rain”: Early Masterpiece with Heavy Lingnan Flavor / 142《雨打芭蕉》：南國情趣的初期代表／143“The Dragon Boat Race Champion”: Classical Cantonese sic with Western Techniques / 144《賽龍奪錦》：借鋻外來技巧的粵樂經典／145“Step on Step”: Popular sic Singing about sical Instrument Reform / 146《步步高》：樂器改革的時代“流行曲”／147“A Peacock in His Pride”: The sical Piece Employing Various Western sical Instruments / 148《孔雀開屏》：被最多西洋樂器演奏過的作品／149“Little Taohong”: A Pioneer to Escape the Bondage of Tradition / 150《小桃紅》：敢於突破傳統的創新之作／151“Birds Returning to the Woods”: A sical Piece Embodying Nature / 152《鳥投林》：體現自然之趣的音樂小品／153Breakthrough—The Peak of Cantonese sic in the New Age / 155推陳出新——粵樂攀登新時代新高峰／155New Birth: New sical Pieces Created One after Another / 156新曲：大批新作不斷湧現／157New Trend: Creation not Limited to One Type/160新風：創作嘗試不拘一格／161Following the Trend of the Times—Cantonese sic Opening a New Chapter / 165時代潮流——粵樂譜寫新文化新篇章／165Folk sic: Following the Social Trends / 166民樂：緊貼時代變革／167Transformation: Carrier of Cultural Renaissance / 168轉型：承載文化復興／169Afterword後記／175
