臨摹是書法學習中的重要手段，也是不可逾越的途徑。從古至今，所以的書法大師都是以臨摹的方式，站在前人的肩膀上而最終獲得成就的。當然，臨摹的最終目的還是創作。那麼，我們如何創作？如何從臨摹過渡到創作？基於此，我們特別策劃了《經典碑帖集字創作藍本》這套書，聘請國內一流學者和有名書家共同編撰，在文字內容上力求經典，在書法風格上力求和諧，同時兼顧形式的豐富多樣。——胡紫桂

●  【中堂】、【橫卷】
蔡邕《九勢》· ······················01
王羲之《書論》· ·····················02
羊欣《采古來能書人名》· ·················03
虞龢《論書表》· ·····················04
王僧虔《論書》· ·····················05
虞世南《筆髓論 指意》· ··················06
張懷瓘《書議》· ·····················07
徐浩《論書》· ······················08
盧攜《臨池妙訣》· ····················09
歐陽修《試筆 學書為樂》· ·················10
蘇軾《題遺教經》· ····················11
黃庭堅《跋蘭亭》· ····················12
黃庭堅《李致堯乞書書卷後 論書》· ·············13
米芾《海嶽名言》· ····················14
米芾《海嶽名言》· ····················15
趙構《翰墨志》· ·····················16
解縉《春雨雜述》· ····················17
豐坊《書訣》· ······················18
董其昌《題獻之帖後》· ··················19
董其昌《畫禪室隨筆》· ··················20
董其昌《畫禪室隨筆》· ··················21
董其昌《畫禪室隨筆》· ··················22
傅山《霜紅龕集》· ····················23
馮班《鈍吟書要》· ····················24
馮班《鈍吟書要》· ····················25
馮班《鈍吟書要》· ····················26
笪重光《書筏》· ·····················27
梁巘《評書帖》· ·····················28
梁巘《評書帖》· ·····················29
梁巘《評書帖》· ·····················30
錢泳《履園叢話》· ····················31
錢泳《履園叢話》· ····················32
朱履貞《書學捷要》· ···················33
朱履貞《書學捷要》· ···················34
米芾《海嶽名言》· ····················35
吳德旋《初月樓論書隨筆》· ················39
吳德旋《初月樓論書隨筆》· ················40
包世臣《藝舟雙輯》· ···················41
劉熙載《書概》· ·····················42
劉熙載《書概》· ·····················43
劉熙載《書概二則》· ···················44
周星蓮《臨池管見》· ···················45
周星蓮《臨池管見》· ···················46
朱和羹《臨池心解》· ···················47
朱和羹《臨池心解》· ···················48
朱和羹《臨池心解》· ···················49
朱和羹《臨池心解》· ···················50
康有為《廣藝舟雙楫》· ··················51
康有為《廣藝舟雙楫》· ··················52
康有為《廣藝舟雙楫》· ··················53
康有為《廣藝舟雙楫》· ··················54
康有為《廣藝舟雙楫》· ··················55
董其昌《畫禪室隨筆二則》· ················57
【扇面】
黃庭堅《論書》· ·····················58
朱履貞《書學捷要》· ···················59

  《經典碑帖集字創作藍本》以古代經典文選作品為內容，通過現代計算機技術，將歷代經典碑帖行草範字集合在書法作品中，力求風格統一，行氣流暢，章法形式多樣，既可直接供書法愛好者臨摹，又可為其書法創作提供借鋻，集書法與文學價值於一身。本冊為草書歷代書論選。