臨摹是書法學習中的重要手段，也是不可逾越的途徑。從古至今，所以的書法大師都是以臨摹的方式，站在前人的肩膀上而最終獲得成就的。當然，臨摹的最終目的還是創作。那麼，我們如何創作？如何從臨摹過渡到創作？基於此，我們特別策劃了《經典碑帖集字創作藍本》這套書，聘請國內一流學者和有名書家共同編撰，在文字內容上力求經典，在書法風格上力求和諧，同時兼顧形式的豐富多樣。——胡紫桂

●  【中堂】、【橫卷】
顧愷之《論畫》· ·····················01
顧愷之《魏晉勝流畫贊》· ·················02
顧愷之《畫雲臺山記》· ··················03
王維《山水訣》· ·····················04
朱景玄《唐朝名畫錄》· ··················05
朱景玄《唐朝名畫錄》· ··················06
王維《山水論》· ·····················07
王維《山水論》· ·····················08
王維《山水論》· ·····················09
張彥遠《歷代名畫記》· ··················10
張彥遠《歷代名畫記》· ··················11
張彥遠《歷代能畫人名》· ·················12
荊浩《筆法記》· ·····················13
黃休復《益州名畫錄》· ··················14
郭熙《林泉高致》· ····················15
郭熙《林泉高致》· ····················16
韓拙《山水純全集》· ···················17
韓拙《山水純全集》· ···················18
蘇軾《書摩詰藍田煙雨圖》· ················19
蘇軾《跋宋漢傑畫山》· ··················20
米芾《畫史》· ······················21
米芾《畫史》· ······················22
米芾《畫史》· ······················23
米芾《畫史》· ······················24
米芾《畫史》· ······················25
趙孟頫《松雪論畫二則》· ·················26
趙孟頫《松雪論畫》· ···················27
湯垕《畫論》· ······················28
湯垕《畫論二則》· ····················29
黃公望《寫山水訣》· ···················30
倪瓚《雲林論畫》· ····················31
王世貞《藝苑巵言論畫》· ·················32
孫鑛《月峰畫跋》· ····················33
孫鑛《月峰畫跋》· ····················34
惲壽平《南田畫跋七則》· ·················35
顧凝遠《畫引》· ·····················39
顧凝遠《畫引》· ·····················40
顧凝遠《畫引》· ·····················41
董其昌《畫旨》· ·····················42
董其昌《畫禪室隨筆》· ··················43
董其昌《畫禪室隨筆》· ··················44
陳繼儒《眉公論畫》· ···················45
陳繼儒《眉公論畫》· ···················46
陳繼儒《眉公論畫》· ···················47
李日華《竹懶論畫》· ···················48
唐志契《繪事微言》· ···················49
唐志契《繪事微言》· ···················50
惲壽平《南田畫跋》· ···················51
惲壽平《南田畫跋》· ···················52
惲壽平《南田畫跋》· ···················53
笪重光《畫筌二則》· ···················54
方薰《山靜居畫論二則》· ·················55
董其昌《畫旨四則》· ···················56
【扇面】
黃公望《寫山水訣》· ···················58
黃公望《寫山水訣》· ···················59

  《經典碑帖集字創作藍本》以古代經典文選作品為內容，通過現代計算機技術，將歷代經典碑帖行草範字集合在書法作品中，力求風格統一，行氣流暢，章法形式多樣，既可直接供書法愛好者臨摹，又可為其書法創作提供借鋻，集書法與文學價值於一身。本冊為草書歷代書論選。