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開本：20開 紙張：銅版紙 包裝：平裝-膠訂 是否套裝：否 國際標準書號ISBN：9787508522104 作者：陳丹著，（英）海·威廉譯 出版社：五洲傳播出版社 出版時間：2012年01月
"內容簡介 西藏有千餘座寺廟，每座寺廟均繪制有精美的壁畫，西藏的壁畫極為豐富，它們組成了一道環繞西藏延綿不斷、絢麗多姿、色彩繽紛的美麗畫廊。本畫冊按照繪制壁畫的年代順序，將西藏具有代表性的幾大寺廟（古格王國、夏魯寺、扎塘寺、白居寺、布達拉宮）壁畫進行了編排，給讀者展示一個全面的西藏壁畫的面貌，有助於國外讀者感受和認識神秘的西藏文化。
Chen Dan was a graduate from the Department of Journalism of the China School of Journalism and Communication， and furtHered Her study of the Chinese culture in Tsinghua University. She went to cover the cultural activities in Tibet for a dozen times， and once stayed in Lhasa for over a year. Her experience made it possible for her to write good books or articles on Tibetan culture. Beginning in 2009, she wrote for China's Tibet magazine columns of Tibet Handicrafts and Tibctan Arr Collectors. Cashingin on her stay and work in Tibet， she has taken thousands of photos of great value，and many of these were used for her works which run to millions of words. Her illustrated works aiready published, including Tibetan murals，Arts and Crafts Unique to the Snowland， Tibetarz， Hanclicrafts and Ancient Road for Tea-Horse Trade-Places Covered by Caravans. 目錄 Preface
Guge Murats
Nurals of Shalu Monasterq
Drathang Monasterq Murats
Murals of Jixiangduomen Tower in the Patkor Monasterq
Potala Patace Murats
Murats of other M0nasteries 前言 PrefaceTibetan murals are very rich in terms of color and content!Murals are everywhere on the walls as well as corridors, zenith, beams, etc. of monasteries, palaces, mansions, houses, inns, hotels and other places. Monasteries have most murals. Large monasteries usually have dozens to hundreds of halls, and walls, ceilings, etc. of each hall and corridors around it are painted over murals. Monasteries in Tibet have countless murals, which form a beautiful and colorful gallery in Tibet. In the mural world, the content varies from gods to people, from landscape to architecture, from animals to monsters, from stories to reality, from history to today…. It can be said that this is a “Three Realms” painted on the wall, which includes people, ghosts, gods and their stories.Development of Tibetan MuralMural, by definition, is painting drawn on a wall. According to legend, murals in Tibet originated from cliff carving. Historical records of Tibet said: In 629 or the year Tibetan King Songtsan Gambo succeeded to the throne, it was said that he saw Sakyamuni, Hayagriva, Tara and Acalavajra, he ordered a Nepalese craftsman immediately to carve and paint the four Buddha figures on rocks… which was said to be the first mural in Tibet.Both carving and mural share the process of painting and coloring, but which is earlier is unknown. There are also studies indicating that mural is passed from outside Tibet.Tibetan mural development is relatively clear. On the land of Tibet, mural traces of different historical periods are preserved, lasting from the Tubo Period to modern times. The first well documented murals in Tibet appeared in the Tubo Period. It is said that Songtsan Gambo’s secret book recorded his personal arrangement of murals on the subject of Tibetan Buddhist stories such as Hayagriva, Avalokitesvara, White Tara, and Suji Nima, story of parrot, story of monkey, story of bird painted by Tibetan, Chinese and Nepalese artists on the walls in the Jokhang Monastery. In the first half of 12th century, the Jokhang Monastery had experienced several large-scale fights, in which many houses were charred, but today, we may still see some of the mural remains of the year drawn on some of the north walls on the second floor faintly.In 641, before Princess Wencheng of the Tang Dynasty (618−907) married Songtsan Gambo, Lhasa did not even have a decent palace or monastery, the Jokhang Monastery, Ramoche Monastery, and Potala Palace were built after the arrival of Princess Wencheng. Many craftsmen participating in the construction came from the Han region and Nepal, which enjoyed much higher painting level than Tibet, for example, many excel lent mural s had been found at Dunhuang Mogao Grottoes and so on earlier. The traces of Han and Nepal were seen in the first Tibetan murals. The murals of this period featuring well-rounded image, pure color, are very close to the works of Dunhuang murals in the Northern Wei (386−534) and Early Tang Dynasty (618−907); while, soft body line, graceful posture and high decoration are of the charm of Nepalese paintings.Later, murals are an important part of monasteries in Tibet. As long as there is construction of a monastery, murals will be painted as decoration. It extends from single religious content to a wide range of real life and historical themes. Around the 14th century, with massive construction and expansion of monasteries, a large number of murals had been painted, leading to the formal founding of Tibetan national style mural school. At the end of the 10th century, Buddhism revived in Ngari of Tibet and Amdo of Qinghai, which also brought the prosperity of mural art. Around the 14th century, with massive construction and expansion of monasteries, a large number of murals had been painted, leading to the formal founding of Tibetan national style mural school. As the rise of the Shamanism led by Tsongkhapa (1357−1419), large-scale development of Monasteries, the mural art of Tibet entered into the most brilliant period.......
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