邀請作品



Invitational Works



002 Ayako Tani （日）



Vessel of memory



003 Daul Stankard（美）



《花園繫列》Garden series



004 Robert Mickelsen（美）



Hand



005 hane Fero（美）



《鳥》Birds



006 戴秋梅 Dai Qiumei



《永結同心》Forever have same thought



007 馮平生  Feng
Pingsheng



《柿柿如意》The lucky persimmon



008 高建明 Gao Jianming



《綠葫蘆》Green gourd



009 顧彬 Gu Bin



《龍》Dragon



010 顧彬 Gu Bin



《蘋果樹》Apple tree



011 關東海、吳磊 Guan Donghai, Wu Lei



《關繫繫列——龍鳳》The relationship series—Dragon and phoenix



012 郭東僑 Guo Dongqiao



《母愛》Mother's love



013 郭東僑 Guo Dongqiao



《花開富貴》 Fortune comes with blooming flowers



014 黃安福 Huang Anfu



《嘉德莉蘭》Catly orchid



015 李國陽 Li Guoyang



《報歲蘭》Cymbidium sinense



016 彭怡 Peng Yi



Role 1



017 彭怡 Peng Yi



《解構繫列 3》、《解構繫列 7》Deconstruction series 3，Deconstruction
series 7



018 彭怡 Peng Yi



《算盤繫列·白》Abacus series, white



019 彭怡 Peng Yi



《算盤繫列·黑》Abacus series, black



020 孫奉柱 Sun Fengzhu



《瑤池壽桃》The Longevity peach of the jade pond



021 孫奉柱 Sun Fengzhu



《荷塘清趣》Leisure by the lotus pond



022 孫奉柱 Sun Fengzhu



《福祿》Good fortune



023 吳磊 Wu Lei



《長茅》Spear



024 張雅婷 Zhang Yating



《風中鳳》Phoenix in the wind



025 周毅（阿左） Zhou Yi（A Zuo）



《蘋果》An apple







金獎作品



Gold Award



028 孫紹軼 Sun Shaoyi



《淙淙》Flow







銀獎作品



Silver Award



032 趙婷婷 Zhao Tingting



《共商國事》To discuss state affairs



034 任波 Ren Bo



《蟲》Insects







銅獎作品



Bronze Award



038 韓連軍 Han Lianjun



《谷穗上的蟈蟈》Grasshopper in the millet



039張博文 Zhang Bowen



《巴別塔之二》Tower of babel·Two



040 李思晴 Li Siqing



《城市繫列——夢城》City series—Dream city







優秀獎作品



Excellence Award



044 陳宇茵 Chen Yuyin



《生命》Life



045 高涵 Gaohan



《十二生肖》Chinese zodiac



046 韓連軍 Han Lianjun



《梅花與瓶》Blossoming plum and bottle



047 姜家美 Jiang Jiamei



《樽》Zun



048 李思思 Li Sisi



《家》home



049 栗瑤 Li Yao



《保護》Protect



050 劉曉明 Liu Xiaoming



《無形的防護》Invisible protection



051 盧杉 Lu Shan



《平靜》Clam



052 王迪 Wang Di



《塵封》Dust seal



053 王迪 Wang Di



Direct.Director.Direction



054 王鑫博 Wang Xinbo



《景觀》Sight



055 王雅萱 Wang Yaxuan



Spring-spring



056 吳新安 Wu Xinan



《一帆風順》Roses all the way



057 吳新安 Wu Xinan



《黛玉葬花》Daiyu burial flower



058 俞嵐 Yu Lan



《窄門》Narrow door



059 張小七 Zhang Xiaoqi



《滋長》Growth



060 鐘茵 Zhong Yin



《初露》Dew



061 周磊 Zhou Lei



《非想非非想》No thinking



062 周培育 Zhou Peiyu



A Breath of new life



063 朱福成 Zhu Fucheng



《荷》Lotus







入圍作品



Finalist works



066 陳慧 Chen Hui



《網鏈》Net and chain



067 崔玥  Cui Yue



《玻璃首飾繫列——故事》Glass jewellery series—Story



068 馮振 Feng Zhen



《無形的危害》Intangible damage



069 高珊 Gao Shan



《荷韻》Lotus



070 郭可欣 Guo Kexin



《燈工仙人掌》Flamework cacti



071 何方爍 He Fangshuo



《彩璃伴花》Colorful glass flowers



072 何方爍 He Fangshuo



《離火涅槃》Flamework nirvana



073 黃繼嫻 Huang Jixian



《梭》Shuttles



074 黃歆竹 Huang Xinzhu



《未定義》Undefined



075 黃歆竹 Huang Xinzhu



《未定義——走馬》Undefined—walking
horse



076 霍婉婷 Huo Wanting



《世界與守望者 》World and the watchman



077 江穎 Jiang Ying



《無處不在》Anywhere



078 江穎 Jiang Ying



《鯨落》Whale fall



079 李成宇 Li Chengyu



《混沌》Chaos



080 李柔慧 Li Rouhui



《自愈》Self healing



081 李思晴 Li Siqing



《浮果》Floating fruit



082 李思晴 Li Siqing



《憶殼繫列——磁帶》The memory of the shell—tape



083 李思晴 Li Siqing



《憶殼繫列——膠卷》The memory of the shell—roll film



084 李知掙 Li Zhizheng



《童憶》Childhood memory



085 梁金婷 Liang Jinting



《死亡之詩》Born to die



086 林倩倩 Lin Qianqian



《殘缺之美》Incomplete beauty



087 林倩倩 Lin Qianqian



《共存》Coexist



088 林山 Linshan



《活》Live



089 盧杉 Lu Shan



《斑駁》Mottled



090 盧杉 Lu Shan



《情緒化繫列》Emotional series



091 羅婷 Luo Ting



《畫》Sketch



092 馬亮 Ma Liang



《海底的珊瑚》The coral



093 馬亮 Ma Liang



《鬼吸煙》Smoking ghost



094 孟祥權 Meng Xiangquan



《童—境》Childhood



095 莫陽詩雪 Moyang Shixue



《亞歷山大》Alexander



096 莫陽詩雪 Moyang Shixue



《孤》Alone



097 喬丹 Qiao Dan



《蕉點》Banana lights



098 尚竣琪 Shang Junqi



《髦》Fashion



099 盛成多 Sheng Chengduo



《青花璃》Qinghua glaze



100 孫大浩 Sun Dahao



《歸巢》Back to the nest



101 唐巧珍 Tang Qiaozhen



《曼珠沙華》Lycoris radiate



102 汪海燕 Wang Haiyan



《待命》Stand by



103 王朝虹 Wang Chaohong



《尋找家園》Looking for hometown



104 王迪 Wang Di



《憶》Memoir



105 王鵬 Wang Peng



《腦》Brain



106王韻驍 Wang Yunxiao



《野蠻生長》Barbaric growth



107 謝宇航 Xie Yuhang



《人與自然共舞》Dance with nature



108 徐嫦婕 Xu Changjie



《融合》Fusion



109 許文龍 Xu Wenlong



《河間》Hejian



110 楊晨玥 Yang Chenyue



《微生》Own



111 楊林 Yang Lin



《呵護》Care



112 楊子瑤 Yang Ziyao



《牽引者》Tractor driver



113 原帥 Yuan Shuai



《心情》Mood



114 張豐翼 Zhang Fengyi



《茶鐵茶具》A tea set called tea and iron



115 張慧慧 Zhang Huihui



《繡球》Hydrangea



116 張文婷 Zhang Wenting



《荒蕪》Barren



117 張曉慧 Zhang Xiaohui



《習慣》Habit



118 鄭軍 Zheng Jun



《鬶態》Pitcher



119 鄭聞卿 Zheng Wenqing



《沁石生花》Flower from pebble



120 周二剛 Zhou Ergang



《動物世界》Animal world



121 周磊 Zhou Lei



《重建》Reconstruction



122 朱福成 Zhu Fucheng



《花與蟲》Flowers and insects



123 朱福成 Zhu Fucheng



《水母》Jellyfish







評委



Jury



126 Shane Fero



127 Gerry King



128 Jack Wax



129 Robert Mickelsen



130 Liubov Groshkova







131 訪談錄



Interview records



132 Ayako Tani訪談錄



Interview with Ayako Tani



138 高瑞海先生、馮平生先生訪談錄



Interview with Gao Ruihai and Feng Pingsheng



143 李國揚先生訪談錄



Interview with Li Guoyang



148 Liubov Groshkova訪談錄



Interview with Liubov Groshkova



150 Paul·V 訪談錄



Interview with Paul·V



156 Robert Mickelsen訪談錄



Interview with Robert Mickelsen



160 Shane Fero訪談錄



Interview with Shane Fero



164 Jack Wax訪談錄



Interview with Jack Wax



169 吳新安先生訪談錄



Interview with Wu Xinan



173 邢蘭香先生訪談錄



Interview with Xin Lanxiang







181 展覽形像設計



Identity Design for Exhibition







185 事件記錄



Event records







197 致謝 Acknowledgements

前言



燈工工藝在中國有著久遠的歷史，戰國的蜻蜓眼玻璃珠即是此古老精湛技藝的體現。進入現代，山東淄博市發展了一整套獨有的燈工玻璃生產技術，主要以瓜果草蟲為題材，深受人們的喜愛。河北河間市則是從以儀器玻璃生產為主逐漸轉向日用玻璃生產領域。藝術院校開展燈工玻璃藝術教學則是近幾年的事。



今天，作為日用玻璃生產，河間人意識到設計已經是制約企業發展的主要瓶頸。企業若想實現品牌的提升，必須創造出具有自身文化特色和當代實用性的產品設計。院校的教學，則是這一時代需求的體現，其人纔培養有望滿足社會的急需，並創造出更具藝術性的燈工作品，向社會展示精湛的技藝和各種創造性的可能。燈工工藝易於學習和掌握，對工具、設備和操作空間要求較低，因此，目前燈工課程在國內各院校玻璃教學中深受學生歡迎。基於這樣一個發展的時代背景，企業和院校勢必會走到一起。舉辦燈工玻璃藝術的展覽，對於增進校企合作和校際學術交流都具有現實意義。因此，河間市政府為推動地方經濟發展，大力支持此類學術活動，並希望將此活動列為當地定期舉辦的有國際影響力的交流盛會。也因此，展覽的名稱擴大為“國際燈工玻璃藝術節”。初次舉辦這樣大型的活動自然困難重重，然而，在各方積極的努力和工作下，藝術節得以成功舉辦。全國共有418件作品報名，經過兩輪評審，評選出入圍作品83件，獲獎作品26件。另有來自美國、澳大利亞、日本、加拿大，以及國內主要藝術家的25件作品受邀參展。活動期間，中外藝術家、工藝美術大師還為觀眾進行了精彩的工藝演示和學術演講，使參觀者對燈工藝術在當今世界發展的現狀有了較全面的了解。兩晚輕松的研討會也為藝術家們能夠更深入地交流提供了機會。



這次國際燈工玻璃藝術節的成功舉辦，是國內燈工玻璃藝術專項學術活動的重要開端，對推動燈工玻璃藝術教學與設計、加強校企合作和國際學術交流具有十分重要的意義，勢必對未來的工作產生深遠的影響。







清華大學美術學院工藝美術繫副教授











Foreword



Lampwork craftsmanship has a long history in China, the glass drops of
dragonfly eye in the Warring States period are the embodiment of the ancient
exquisite skill. In modern times, an unique lamp glass production technology
has been developed in Zibo City, Shandong Province, mainly with subject matter
of melon, fruit, grass and insect, which are deeply loved by people. Hebei
Hejian City is gradually turning from the glass production of instrument to the
field of daily glass production. Carrying 
out the teaching of craft glass art in art colleges and universities is
a matter of recent years.



Today, as daily glass production, Hejian people realize that design has been
the main bottleneck that restrict the development of enterprises. If the
enterprises want to realize the promotion of their brand, they must create
products designed with its own cultural characteristics and contemporary
practicability. Teaching of colleges and universities is the embodiment of the
needs in the times, because its talent training is expected to meet the urgent
needs of the society and to create more artistic lamp works, showing the
exquisite skills and various creative possibilities to the society. Lamp art
skill is easy to learn and master with lower requirements for tools, equipment
and operating space. Therefore, the lamp craft course is popular with students
in glass teaching in various colleges and universities in China at present.
Based on such a background of development, enterprises and colleges are bound
to hold hands. It is of practical significance to hold an exhibition of lamp
glass art to enhance the cooperation between schools and enterprises and
academic exchanges between schools. Therefore, in order to promote local
economic development, the Hejian City Government strongly supported such
academic activities and hopes to list this event as an internationally
influential exchange event regularly held in local, this idea led to the result
that the name of the exhibition was expanded to “International
Lamp Glass Art Festival”. It was difficult to hold such
a large-scale event for the first time. However, thanks to the active efforts
and works of all parties, the festival was successfully held. A total of 418
works were enlisted in the whole country. After two rounds of evaluation, 83
works were selected and 26 were awarded. In addition, there were 25 works from
the United States, Australia, Japan, Canada, as well as works of major domestic
artists invited to participate in the exhibition. During the activity, Chinese
and foreign artists and masters of arts and crafts also gave wonderful
craftwork presentation and academic speeches to the audience, which enabled
visitors to have a more comprehensive understanding of the current situation of
the development of lamp art in today’s world. The
two-night relaxing seminar also provided an opportunity for artists to make
in-depth exchange.



The successful holding of this International Lamp and Glass Art Festival is an
important beginning of special academic activity on the art of lamp glass in
China. It is great significance to promote the teaching and design of lamp
glass art, strengthen the cooperation between schools and enterprises, and  to benefit international academic exchanges
at the same time, which is certain to have a profound impact on future work.







Associate Professor of Art and Crafts Department,



Academy of Art and Design, Tsinghua University