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開本：16開 紙張：純質紙 包裝：精裝 是否套裝：否 國際標準書號ISBN：9787508540252 作者：李力 出版社：五洲傳播出版社 出版時間：2018年08月 原版書名：Sharing
" 內容簡介 “中華之美”叢書圍繞中華優秀傳統文化這一主題，擇取其中15個專題分別加以介紹。這15個專題，包括以思想、智慧、藝術為主的“無形遺產”，以工藝、器物為主的“有形遺產”，以衣食住行樂為主的“民俗生活”，它們精心構架，有機結合，勾勒出中國文化的一個總體面貌，並反映出“中華文化獨一無二的理念、智慧、氣度、神韻”。“中華之美”叢書圍繞中華優秀傳統文化這一主題，擇取其中15個專題分別加以介紹。這15個專題，包括以思想、智慧、藝術為主的“無形遺產”，以工藝、器物為主的“有形遺產”，以衣食住行樂為主的“民俗生活”，它們精心構架，有機結合，勾勒出中國文化的一個總體面貌，並反映出“中華文化獨一無二的理念、智慧、氣度、神韻”。
中國是世界著名的四大文明發祥地之一。今天的中國大地上，仍然保存著數量巨大、種類繁多的古代文明遺跡遺物。這些存留至今的珍貴文物，時代跨越了上下約7000年，集中體現了中國文明的源遠流長和博大精深。本書選擇中國文物中具有代表性的12大類進行介紹，包括陶器、青銅器、玉器、雕塑、金銀器、瓷器等。它們以各自獨特的方式，銘刻了歷史長河中一個個不可復制的瞬間。讓我們一起穿越時空的遂道，以這些古代文物為標識，去探尋中國文明的發展軌跡。
China is the birthplace of one of the four greatest civilizations in the world, hence those cultural relics which, in huge quantities and immensely rich varieties, have always been fascinating. These cultural relics were produced during different periods of the Chinese history, over well over 7,000 years. They are gems of the Chinese civilization.This book gives a brief account of 8 types of cultural relics unearthed in China so far, including pottery, porcelain, jade and bronze. These are seen as the most representative of the Chinese culture, each in its own way providing a glimpse into ancient China. 作者簡介 李力，畢業於北京大學歷史繫，中國考古學會會員，現任國家文物局文物出版社《文物》月刊副編審。著有《華夏之美——中國藝術史圖鋻》（合著）、《中華文明史•第三卷•秦漢美術》、《中國文化通志——魏晉南北朝文化志》（合著）、《文物與美術》（合著）等。
Li Li, born in Jilin Province in 1952. Graduated from the Department of History, Peking University.Member of the China Archaeology Society, associate editor of the monthly Cultural Relics published by the National Bureau of Cultural Relics of China. Co-author of Beauty of China—an Illustrated History of the Chinese Arts, co-author of Art of Rule by Using the Pen and the Sword, author of Fine art of the Qin and Han Dynasties, Vol. 3, History of the Chinese Civilization, coauthor of Cultural Events of the Wei-Jin-Southern-Northern Dynasties, in General History of the Chinese Culture, co-author of Cultural Relics and Fine Art. 目錄 ForewordPainted Pottery Origin of Pottery Art Development of Painted Pottery Painted Pottery of the Yangshao Culture Prehistory Pottery Later than Those of the Yangshao Culture Jade Artifacts “Beautiful Stones” and Jade Jade Artifacts of the Xinglongwa Culture and Hongshan Culture Jade Artifacts of the Liangzhu Culture Jade Carvings of the Shang-Zhou Period Funerary Objects of Jade The Bloom of Jade Artifacts Bronze Ware Bronze Technology Bronze Sacrificial Utensils Decorative Designs and Inscriptions on Bronze Ware Animal-shaped Bronze Vessels and Bronze Human Figures Bronze Weapons, Helmets and Shields Porcelain Porcelain of the Six Dynasties Porcelain of the Sui-Tang Period Porcelain Kilns of the Song Dynasty Blue and White Porcelain of the Yuan Dynasty Painted Porcelain of the Ming-Qing Period Sculpture Tomb Figurines Mausoleum Sculptures of Stone Grotto Temples and Formative Art of Buddhism Painting The Origin of the Art of Painting Paintings of the Han and Jin Dynasties Painting Style of the Sui-Tang Period Painting Academy of the Song Dynasty The Literati Paintings in the Yuan, Ming and Qing Dynasties Furniture Furniture before the Han Dynasty Development of “Furniture with High Legs” Ming-style Furniture Indoor Furnishing Arts and Crafts Gold and Silver Artifacts Lacquer Works Bamboo, Wooden, Ivory and Animal Horn Articles Artificially Shaped Gourds Embroidery Cloisonne Purple Clay Teapots The Collection and Preservation of Cultural Relics Collecting in the Flourishing Age Treasures Lost in the Troubled Times Arduous Task ahead for the Protection of Cultural Relics 前言 The Chinese civilization is one of the four most ancient in the world. Relative to the Egyptian, Indian and Tigris-Euphrates civilizations, it is characterized by a consistency and continuity throughout the millenniums. Rooted deep in this unique civilization originating from the Yangtze and Yellow River valleys, a yellow race known as the “Chinese” has, generation after generation, stuck to a unique cultural tradition. This tradition has remained basically unchanged even though political power has changed hands numerous times. Alien ethnic groups invaded the country’s heartland numerous times, but in the end all of them became members of a united family called “China.”Cultural relics, immeasurably large in quantity and diverse in variety and artistic style, bespeak the richness and profoundness of the Chinese civilization. These, as a matter of fact, cover all areas of the human race’s tangible culture. This book classifies China’s cultural relics into two major categories, immovable relics and removable relics. “Immovable relics” refer to those found on the ground and beneath, including ancient ruins, buildings, tombs and grotto temples. “Removable relics” include stone, pottery, jade and bronze artifacts, stone carvings, pottery figurines, Buddhist statues, gold and silver articles, porcelain ware, lacquer works, bamboo and wooden articles, furniture, paintings and calligraphic works, as well as works of classic literature. This book is devoted to removable cultural relics, though from time to time it touches on those of the first category. " | | |
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