●Introduction
●Part 1.Realism Unbounded
●Chapter One A Homeless Soul and a Misplaced Nostalgia Exiled Experience and ao Hong's Diasporic Literature
●Chapter Two From Feminist to Party Intellectual？ Identity Politics and Ding Ling's New Women Stories
●Part 2.Romanticism， Modernism， or Modern Literati's Novel？
●Chapter Three An Alienated Mind Dreaming for Integration：Constrained Cosmopolitanism in Wumingshi's Modern Literati Novel
●Chapter Four Illusionary Cosmopolitanism and Flawed Humanity：A New Interpretation of Xu Xu's Modern Tales of the Strange
●Part 3.Cross—Cultural Transaction in Boudoir Stories
●Chapter Five Eileen Chang's Cross—Cultural Writing and Rewriting in Love in a Fallen City
●Chapter Six Matrimonial Complex and Identity Anxiety：Eileen Chang's Boudoir Stories and the （Im—） sibility of Modern Chinese Bourgeoisie
●Part 4.Narrative Strategy under Middle—Class Consciousness
●Chapter Seven Double Pitfalls for Chinese New Women：Mei Niang's Fictional Narrative of the Colonial Society
●Chapter Eight Making a Historical Fable：The Narrative Strategy of Lust， Caution and Its Social Repercussions
●Part 5.Peasants' Habitus and National Form
●Chapter Nine Problem Stories as Part of the National Form：Rural Society in Transition and Zhao Shuli's
●Peasant Stories
●Chapter Ten From Use of Old Forms to Establishment of a National Form'.A Re—Evaluation of Mao's
●Agenda of Forging a Cultural—Political Nation
●Conclusion
●Some Thoughts on the Origin of Modern Chinese Literature
●部分目錄
