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開本：32開 紙張：輕型紙 包裝：精裝 是否套裝：否 國際標準書號ISBN：9787508521985 叢書名：許譯中國經典詩文集 作者：許淵衝譯 出版社：五洲傳播出版社 出版時間：2012年01月
"編輯推薦 許淵衝先生從事翻譯工作70年，2010年12月榮獲“中國翻譯文化終身成就獎”。他被稱為將中國詩詞譯成英法韻文的**專家，經他的妙手，許多中國經典詩文被譯成出色的英文和法文韻語。 內容簡介 叢書譯者為許淵衝先生，其從事翻譯工作70年，2010年12月榮獲“中國翻譯文化終身成就獎”；2014年8月榮獲由國際譯聯頒發的文學翻譯領域*獎項——“北極光”傑出文學翻譯獎，成為首位獲該獎的亞洲翻譯家。經許先生的妙手，許多中國經典詩文被譯成出色的英文韻語。這套漢英對照版“許譯中國經典詩文集”荟萃許先生*代表性的英文譯作14種，漢語部分采用中華書局版本。這些作品包括多種體裁，上起先秦，下至清代，既是聯接所有中國人思想、情感的文化紐帶，也是中國文化走向世界的重要橋梁。閱讀和了解這些作品，即可盡覽中國文化的“源頭活水”。相信這套許氏譯本能使英語讀者分享孔子、老子的智慧，分享唐詩、宋詞、中國古典戲曲的優美，並以此促進東西方文化的交流。2015年2月2日，由中國出版協會舉辦的第五屆中華優秀出版物獎在京揭曉， “許譯中國經典詩文集”（漢英對照）（14冊）榮獲“提名獎”。這套“中國經典詩文集”就是由他所譯，前半部分是英文，後半部分是中文。 作者簡介 許淵衝--詩譯英法人 ，北京大學教授，翻譯家。希望這套許氏譯本能使英語讀者對中國經典詩文也能“知之，好之，樂之”，能夠分享孔子、老子的智慧，分享唐詩、宋詞、中國古典戲曲的優美，並以此促進東西文化的交流。值得珍藏。許淵衝先生從事翻譯工作70年，2010年12月榮獲“中國翻譯文化終身成就獎”。他被稱為將中國詩詞譯成英法韻文的專家，經他的妙手，許多中國經典詩文被譯成出色的英文和法文韻語。Ancient Chinese classic poems are exquisite works of art. As far as 2,000 years ago, Chinese poets composed the beautiful work Book of Poetry and Elegies of the South, Later, they created more splendid Tang poetry and Song lyrics. Such classic works as Thus Spoke the Master and Laws: Divine and Human were extremely significant in building and shaping the culture of the Chinese nation. These works are both a cultural bond linking the thoughts and affections of Chinese people and an important bridge for Chinese culture and the world. Mr. Xu Yuanchong has been engaged in translation for 70 years. In December 2010, he won the Lifetime Achievement Award in Translation conferred by the Translators Association of China (TAC). He is honored as the only expert who translates Chinese poems into both English and French. After his excellent interpretation, many Chinese classic poems have been further refined into perfect English and French rhymes. This collection of Classical Chinese Poetry and Prose gathers his most representative English translations. It includes the classic works Thus Spoke the Master, Laws: Divine and Human and dramas such as Romance of the Western Bower, Dream in Peony Pavilion, Love in Long-life Hall and Peach Blossom Painted with Blood. The largest part of the collection includes the translation of selected poems from different dynasties. The selection includes various types of poems, lyrics and Yuan, Ming and Qing dynasty songs. The selected works start from the pre-Qin era to the Qing Dynasty, covering almost the entire history of classic poems in China. Reading these works is like tasting "living water from the source" of Chinese culture. We hope this collection will help English readers "know, love and appreciate" Chinese classic poems, share the intelligence of Confucius and Lao Tzu, share the gracefulness of Tang Dynasty poems, Song lyrics and classic operas and songs and promote exchanges between Eastern and Western culture. This book is one of the 14 books of Classical Chinese Poetry and Prose, a translation of Confucian classics Thus Spoke the Master.許淵衝--詩譯英法人 ，北京大學教授，翻譯家。希望這套許氏譯本能使英語讀者對中國經典詩文也能“知之，好之，樂之”，能夠分享孔子、老子的智慧，分享唐詩、宋詞、中國古典戲曲的優美，並以此促進東西文化的交流。值得珍藏。許淵衝先生從事翻譯工作70年，2010年12月榮獲“中國翻譯文化終身成就獎”。他被稱為將中國詩詞譯成英法韻文的專家，經他的妙手，許多中國經典詩文被譯成出色的英文和法文韻語。Ancient Chinese classic poems are exquisite works of art. As far as 2,000 years ago, Chinese poets composed the beautiful work Book of Poetry and Elegies of the South, Later, they created more splendid Tang poetry and Song lyrics. Such classic works as Thus Spoke the Master and Laws: Divine and Human were extremely significant in building and shaping the culture of the Chinese nation. These works are both a cultural bond linking the thoughts and affections of Chinese people and an important bridge for Chinese culture and the world. Mr. Xu Yuanchong has been engaged in translation for 70 years. In December 2010, he won the Lifetime Achievement Award in Translation conferred by the Translators Association of China (TAC). He is honored as the only expert who translates Chinese poems into both English and French. After his excellent interpretation, many Chinese classic poems have been further refined into perfect English and French rhymes. This collection of Classical Chinese Poetry and Prose gathers his most representative English translations. It includes the classic works Thus Spoke the Master, Laws: Divine and Human and dramas such as Romance of the Western Bower, Dream in Peony Pavilion, Love in Long-life Hall and Peach Blossom Painted with Blood. The largest part of the collection includes the translation of selected poems from different dynasties. The selection includes various types of poems, lyrics and Yuan, Ming and Qing dynasty songs. The selected works start from the pre-Qin era to the Qing Dynasty, covering almost the entire history of classic poems in China. Reading these works is like tasting "living water from the source" of Chinese culture. We hope this collection will help English readers "know, love and appreciate" Chinese classic poems, share the intelligence of Confucius and Lao Tzu, share the gracefulness of Tang Dynasty poems, Song lyrics and classic operas and songs and promote exchanges between Eastern and Western culture. This book is one of the 14 books of Classical Chinese Poetry and Prose, a translation of Confucian classics Thus Spoke the Master.
目錄 序
本
出 標目
第二出 言懷
第三出 訓女
第四出 腐嘆
第五出 延師
第二本
出 悵眺
第二出 閨塾
第三出 肅苑
第四出 驚夢
第三本
出 慈戒
第二出 尋夢
第三出 訣謁
第四出 寫真
第四本
出 詰病
第二出 診祟
第三出 鬧殤
第四出 冥判
第五本
出 拾畫
第二出 玩真
第三出 魂遊
第四出 幽媾
第五出 歡撓
前言 PrefaceThere were four classics of poetic drama in Chinese history, that is, Romance of the Western Bower, Dream in Peony Pavilion, Love in the Long-life Hall and Peach Blossom Painted with Blood. The subject of the Romance is the conflict between love and honor of a feudal family, and that of the Dream is the life and death of a lover. In the former, love triumphs over honor, and in the latter it further triumphs over death. In the mean time, we have Shakespeare’s tragedies in rivalry with Chinese classics in the Western countries, though they are two hundred years later than the Romance but earlier than Long-life Hall and Peach Blossom. In the Romance, the lovers are separated by the mother’s idea of honor and re-united by the hero’s success in the civil service examinations, while in Shakespeare’s tragedy, Romeo and Juliet are separated by enmity between their parents but re-united by death. The happy ending of the Romance shows the progress of Chinese civilization while the tragic end of Romeo and Juliet hints at the conquest of enmity by reason which foretells the triumph of realistic and scientific spirit. Here we can see the different development of Oriental and Occidental civilisation.The author of the Dream in Peony Pavilion was a contemporary of Shakespeare and the Peony Pavilion is his representative work while Shakespeare’s is Hamlet. Can their representative works be compared? Hamlet begins with the revival of the dead king who tells his son how he was poisoned by his brother who usurped his throne and married his wife. The son is not sure of the truth of what the dead king said, so we have the well-known monologue in Act III: To be or not to be — that is the question:Whether ’tis nobler in the mind to sufferThe slings and arrows of outrageous fortuneOr to take arms against a sea of troubles,And by opposing end them,Here to be may mean to take arms and not to be, to suffer; the outrageous fortune may refer to the murder of his father, his uncle’s usurpation of the throne and his mother’s re-marriage. He hesitates about what to do: whether he should suffer for the love of his mother or rise to revenge the death of his father. Here we see the conflict in his mind or contradiction in his inner world. Besides, there is conflict in the outer world. For instance, we see the contradiction between uncle and nephew in the following dialogue:Uncle: But now, my cousin Hamlet, and my son —Nephew: A little more than kin and less than kind!Uncle: How is it that the Clouds still hang on you?Nephew: Not so, my lord. I am too much in the sun...序中國歷史上有四大古典代的《西廂記》，明代的《牡丹亭》，清代的《長生殿》和《桃花扇》。《西廂記》寫愛情和封建思想的矛盾，《牡丹亭》更進一步，寫愛情的生死鬥爭。如果說《西廂記》中愛情戰勝了父母之命的封建思想，那麼，《牡丹亭》中杜麗娘還魂，起死回生，可以說是愛情戰勝了死亡。和這四大詩劇差不多同時，西方有莎士比亞的歷史悲劇可以和中國的古典詩劇先後媲美。一般說來，《西廂記》寫張生和鶯鶯的愛情，舞臺本到第四折的“草橋驚夢”為止，以情人的生離作結。莎劇《羅蜜歐與朱麗葉》比《西廂記》約晚一二百年，寫羅朱的青春戀和家族的矛盾，以情人的死別作結。生離死別，都是人生悲劇。但《西廂記》五折本以張生和鶯鶯的婚配結束，說明古代中國人對大團圓的愛好；莎劇卻寫情人的死亡化解了家族的矛盾，顯示了以理化情的趨勢，從中可以看出中西文化發展的不同。《牡丹亭》的作者湯顯祖和莎士比亞是同代人，《牡丹亭》是他的代表作。而莎士比亞的代表作是《哈姆雷特》，兩個劇本是否可以比較呢？這點下面再談。《長生殿》寫唐玄宗和楊貴妃的愛情影響了唐代的興衰，而莎劇《安東尼和克莉奧佩特拉》寫不愛江山愛美人的羅馬大將和埃及女王的戀情與鬥爭，都是用歷史來說明“玉顏自古關興廢”的哲學思想。後，《桃花扇》通過一個文人的感情生活和政治鬥爭來反映明朝滅亡的歷史現實，在莎劇中似乎沒有可比較的，隻有《李爾王》中的國王因為輕信甜言蜜語而失去了江山，也許可以和明朝的末代皇帝相提並論罷。現在再看《牡丹亭》和《哈姆雷特》，是不是有可以比較的呢？莎劇以父王顯靈開始，引起了王子的疑心，於是用假戲演真事，求得了真與假的統一，思想上也引起了生和死、愛和恨的鬥爭：是為父王復仇呢？還是為了母愛而忍氣吞聲呢？總的看來，悲劇中隱含著西方戲劇中光榮與愛情的鬥爭，也就是情與理的矛盾。而《牡丹亭》呢，劇中死去的不是父王，而是活著的杜麗娘；劇中也有生和死的衝突，但不是為死者復仇，而是向生者求愛，為愛情而死的問題。莎劇中也有愛情的插曲，如哈姆雷特對奧菲莉婭的愛情，但愛情和理性有矛盾，結果是理性戰勝了愛情。《牡丹亭》卻相反，是愛情戰勝了理性，使夢想變成了現實，甚至把以理釋情的《詩經·關雎》也恢復了情愛的本來面目。莎劇中著名的一段是哈姆雷特的獨白，下面是卞之琳的譯文：“活下去還是不活，這是問題。要做到高貴，究竟該忍氣吞聲來容受狂暴的命運矢石交攻呢，還是該挺身反抗無邊的苦惱，掃他個干淨？……”“活下去”應該是為了復仇，“不活”自然是無可奈何了。“要做到高貴”不可能是“忍氣吞聲”，“狂暴的命運”是指叔父弒君奪位，母後受騙再嫁。如果叔父是“矢”，那母後就是“石”，兩人就是“矢石交攻”了。至於“挺身反抗”自然是指為父報仇。“無邊的苦惱”是指陰謀和欺騙。如要高貴，自然要揭發陰謀和欺騙，然後“打掃干淨”。但是揭發要有證據，父王顯靈不足為憑。復仇是情感問題，證據是理智問題，這就產生了情和理的矛盾鬥爭。《牡丹亭》中的情理矛盾，體現在女主角杜麗娘身上，卻出現在她的老師陳良的唱詞和她的丫鬟春香的說白之中。如陳良在第二本第二出《閨塾》的《掉角兒》中唱道：“論六經，《詩經》葩，閨門內許多風雅：有指證，姜產哇；不嫉妒，後妃賢達……有風有化，宜室宜家……《詩》三百，一言以蔽之，沒多些，隻‘無邪’兩字，付與兒家。”。。。
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