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開本：32開 紙張：輕型紙 包裝：精裝 是否套裝：否 國際標準書號ISBN：9787508521930 叢書名：許譯中國經典詩文集 作者：許淵衝 出版社：五洲傳播出版社 出版時間：2012年01月
"內容簡介 叢書譯者為許淵衝先生，其從事翻譯工作70年，2010年12月榮獲“中國翻譯文化終身成就獎”；2014年8月榮獲由國際譯聯頒發的文學翻譯領域*獎項——“北極光”傑出文學翻譯獎，成為首位獲該獎的亞洲翻譯家。經許先生的妙手，許多中國經典詩文被譯成出色的英文韻語。這套漢英對照版“許譯中國經典詩文集”荟萃許先生*代表性的英文譯作14種，漢語部分采用中華書局版本。這些作品包括多種體裁，上起先秦，下至清代，既是聯接所有中國人思想、情感的文化紐帶，也是中國文化走向世界的重要橋梁。閱讀和了解這些作品，即可盡覽中國文化的“源頭活水”。相信這套許氏譯本能使英語讀者分享孔子、老子的智慧，分享唐詩、宋詞、中國古典戲曲的優美，並以此促進東西方文化的交流。2015年2月2日，由中國出版協會舉辦的第五屆中華優秀出版物獎在京揭曉， “許譯中國經典詩文集”（漢英對照）（14冊）榮獲“提名獎”。這套“中國經典詩文集”就是由他所譯，前半部分是英文，後半部分是中文。 作者簡介 許淵衝--詩譯英法人 ，北京大學教授，翻譯家。希望這套許氏譯本能使英語讀者對中國經典詩文也能“知之，好之，樂之”，能夠分享孔子、老子的智慧，分享唐詩、宋詞、中國古典戲曲的優美，並以此促進東西文化的交流。值得珍藏。許淵衝先生從事翻譯工作70年，2010年12月榮獲“中國翻譯文化終身成就獎”。他被稱為將中國詩詞譯成英法韻文的專家，經他的妙手，許多中國經典詩文被譯成出色的英文和法文韻語。Ancient Chinese classic poems are exquisite works of art. As far as 2,000 years ago, Chinese poets composed the beautiful work Book of Poetry and Elegies of the South, Later, they created more splendid Tang poetry and Song lyrics. Such classic works as Thus Spoke the Master and Laws: Divine and Human were extremely significant in building and shaping the culture of the Chinese nation. These works are both a cultural bond linking the thoughts and affections of Chinese people and an important bridge for Chinese culture and the world. Mr. Xu Yuanchong has been engaged in translation for 70 years. In December 2010, he won the Lifetime Achievement Award in Translation conferred by the Translators Association of China (TAC). He is honored as the only expert who translates Chinese poems into both English and French. After his excellent interpretation, many Chinese classic poems have been further refined into perfect English and French rhymes. This collection of Classical Chinese Poetry and Prose gathers his most representative English translations. It includes the classic works Thus Spoke the Master, Laws: Divine and Human and dramas such as Romance of the Western Bower, Dream in Peony Pavilion, Love in Long-life Hall and Peach Blossom Painted with Blood. The largest part of the collection includes the translation of selected poems from different dynasties. The selection includes various types of poems, lyrics and Yuan, Ming and Qing dynasty songs. The selected works start from the pre-Qin era to the Qing Dynasty, covering almost the entire history of classic poems in China. Reading these works is like tasting "living water from the source" of Chinese culture. We hope this collection will help English readers "know, love and appreciate" Chinese classic poems, share the intelligence of Confucius and Lao Tzu, share the gracefulness of Tang Dynasty poems, Song lyrics and classic operas and songs and promote exchanges between Eastern and Western culture. This book is one of the 14 books of Classical Chinese Poetry and Prose, a translation of Confucian classics Thus Spoke the Master. 目錄 Contents目 錄Preface Yuan HaowenMan And Moon(I) (II)Minor Sacred Music(I)(II)Yang GuoRed Peach Blossoms(I)(II)Liu BingzhongDried Lotus Leaves(I)序&nb好問人月圓：卜居外家東園（一）（二） 小聖樂：驟雨打新荷（一）（二）楊果小桃紅：采蓮女（一）（二）劉秉忠干荷葉（一）(II)(III)Du RenjiePlaying the Child (I)(II)(III)(IV)(V)(VI)(VII)(VIII)Wang HeqingA Drinker’s SkyHalf and Half (I)(II)(III)He XicunRed Peach Blossoms (I)(II)(III)Shang TingSong of Princess Pan（二）（三）杜仁傑耍孩兒（一）（二）（三）（四）（五）（六）（七）（八）王和卿醉中天一半兒：題情（一）（二）（三）盍西村小桃紅：江岸水燈小桃紅：客船晚煙小桃紅：雜詠商挺潘妃曲 前言 PrefaceHow can we know the cultural level of a nation? We may see how many masterpieces her people has created for mankind. Tang poetry, Song lyrics and Yuan songs are masterpieces created by the Chinese people from the seventh to the fourteenth centuries.Poetry is the voice of the mind, As Confucius said, “poetry serves to inspire, to reflect, to communicate and to criticize,” we may say to voice what is in the mind is to inspire others, to reflect reality, to communicate with people and to criticize the times. In Tang poetry, Song lyrics and Yuan songs we can find inspiration to the mind, reflections of the times, communion with Heaven above and criticism on evils below. For instance, in Tang poetry we can see Li Bai’s communion with nature and man in his romanticism, Du Fu’s reflections of the people’s misery in his classicism, Bai juyi’s criticism of the evils of the times in his realism, and Li Shangyin’s inspiration to the mind in his symbolism, which may be said to be earlier than these literary trends in the west by a thousnad years. In Song lyrics we can find lyricism in Liu Yong, rationalism in Su Dongpo, colloquialism in Li Qingzhao and satirism in Xin Qiji. On the one hand, both Tang and Song poets are successors to ancient literary tradition crystallized in the Book of Poetry compiled by Confucius; on the other, they have exercised great influence on Yuan songs.The Tang and Song dynasties are the golden ages in Chinese histroy. During these six hundred years the Chinese empire was the most prosperous, most developed, most civilized country in the world, while the west was under the reign of the Dark Ages. But during the Yuan Dyansty, the Mongols came from the north to conquer the central plain. They became the rulers and oppressed the southern people. The Mongols might kill Southerners without reason and without being punished. The conquered intellectuals sank so low in their social position that they were classified even under prostitutes and only above beggars. These phenomena are reflected in songs. For example, Zhong Sicheng sang of the beggar:I ask if there’s a charitable missWho would give me a hearty meal.and of a poor scholar:I would repair an old brick-kiln with clayAnd open a school for beggars by day.I’ll put on a black hat half outwornAnd a yellow cloak half torn.And Zhen Shi sang of a prostitute:It is my duty to please men by my beauty,But behind them my tears fall in streams.Here we see the realism of Tang poets extended more deeply to the lower class of people.What could intellectuals do under such oppression but voice their discontent and hatred in songs?序“一個國家人民文化水平的高低，要看它對人類文化的貢獻，也就是說，它對世界文化提供了多少珍品。”（引自1982年11月17日《人民日報》）唐詩、曲就是我國對人類文化提供的珍品。詩言志。孔子說過：“詩可以興，可以觀，可以群，可以怨。”這就是說，“言志”包括見物起興，觀察反映，合群交流，發洩怨憤。而在唐詩、曲中，我們都可以看到“興觀群怨”的豐富內容。如以唐詩而論，李白的浪漫主義詩篇中有人與自然的交流，杜甫的現實主義詩篇中有對戰亂時代的反映，白居易通俗易懂的詩篇中有對世風的批評，李商隱的像征主義詩篇中有心靈的感嘆。如以宋詞而論，則有纏綿悱惻的柳永，以理化情的蘇軾，語淺情深的李清照，憤世嫉俗的辛棄疾。一方面，唐詩和宋詞都繼承了《詩經》中“興觀群怨”的文學傳統；另一方面代散曲產生了重大的影響。唐宋兩朝是中國歷史上的黃金時代，六百年間經濟繁榮，文化發達，是全世界首屈一指的。而當時的西方正處在黑暗的中世紀時期代，蒙古族從北南下，侵入中原，統治全國，君臨天下，壓迫南方人民。現實社會中，蒙古人甚至可以隨意殺死南人而不受懲罰，知識分子卻淪落到了非常低賤的地位，甚至在妓女之下，隻在乞丐之上。這種散曲中都有反映。如鐘嗣成在《醉太平》中描寫乞丐：繞前街後街，進大院深宅。怕有那慈悲好善小裙釵，請乞兒一頓飽齋。又描寫窮書生：風流貧好，村沙富難交。拾灰泥補砌了舊磚窯，開一個教乞兒市學。裹一頂半新不舊烏紗帽，穿一領半長不短黃麻罩。繫一條半聯不斷皂環絛，做一個窮風月訓導。又如真氏寫一個妓女說：對人前喬做作嬌模樣，背地裡淚千行。由此可以看出唐代詩人的現實主義代，已經擴大深入到下層人代知識分子一般無力積極反抗，隻能憤憤不平地發發牢騷，以怨天尤人的方式發洩內心不平。如無名氏的《朝天子》中說：不讀書有權，不識字有錢，不曉事倒有人誇薦。老天隻恁忒心偏，賢和愚無分辨。發牢騷後，他們盡量麻醉自己，把樂天知命、知足不辱當作處世的原則；把人生無常、消極的出世思想滲入自己的作品，主觀幻想地美化田園的隱居生活。
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