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開本:16開 紙張:純質紙 包裝:平裝-膠訂 是否套裝:否 國際標準書號ISBN:9787508537320 作者:郭秋慧 出版社:五洲傳播出版社 出版時間:2018年01月 
"編輯推薦 天有時,地有氣,材有美,工有巧。中國傳統工藝在世界各民族的物質文化史上有著獨特的美名。幾千年來,人們的手工技藝應和著日出而作、日落而息的生活節律而發展:它所有的品類在其*初的狀態都與使用有關,實用、樸素、溫情,具有與農業文明相適應的智慧;即使在它的高端——宮廷工藝和文人工藝中,仍然保持著這種實用的痕跡和質樸的傳統。這一切,都與中國獨特的地理位置以及所形成的漫長的、綿延不絕的農耕文化有關繫。它給我們留下了豐富的文化遺產,包含了許多人工造物與生活的智慧。
Crafts depend on skills, as the weather relies on seasons, the earth on the weather, and the material on appearance. Traditional Chinese arts and crafts have won good reputations in the international community in the history of material culture. In thousands of years, craftsmanship has been developed in people’s life and production activities. Originally, all varieties of crafts were made for practical purpose, so they were practical, simple, user-friendly, and adaptive to agricultural progress. Even royal crafts and scholar crafts, the pinnacle of crafts, retained the practical and simple features. They are rich cultural heritages left to us, containing people’s creation and wisdom in life. 內容簡介 叢書從源遠流長的中國文化中,選取有代表性的10個領域和專題進行介紹,包括哲學思想、文學、藝術、漢字、節日、飲食、工藝、服飾、建築、醫藥等10分冊。通過流暢、輕松的文字和精美的圖片,使海內外廣大讀者在愉快的閱讀體驗中,領略中國文化的豐富多彩、博大精深。整個繫列中的每種圖書既各自獨立,綜合起來又在精心搭就的框架下,勾勒出中國文化的總體面貌。 “一方水土養一方人”。歷史上的中國,是一個以農業和手工業為支撐的農業國家,農耕社會的自然環境衍生了延續至今的傳統生活方式。種類繁多的傳統手工藝扎根於民間,與民生民俗息息相關,以實用、樸素、溫情的品格展現了中國從過往到現代的國計民生和區別於其他文明起源地的文化特征。無論是服務於上層的宮廷工藝、充滿文人趣味的士大夫工藝,還是帶有濃郁鄉土氣息的民間手工技藝,發明創造的初衷源於特定自然環境中中國人的生活所需,蘊涵著生產與生活的造物智慧,是中華文明的重要載體。 叢書從源遠流長的中國文化中,選取有代表性的10個領域和專題進行介紹,包括哲學思想、文學、藝術、漢字、節日、飲食、工藝、服飾、建築、醫藥等10分冊。通過流暢、輕松的文字和精美的圖片,使海內外廣大讀者在愉快的閱讀體驗中,領略中國文化的豐富多彩、博大精深。整個繫列中的每種圖書既各自獨立,綜合起來又在精心搭就的框架下,勾勒出中國文化的總體面貌。
“一方水土養一方人”。歷史上的中國,是一個以農業和手工業為支撐的農業國家,農耕社會的自然環境衍生了延續至今的傳統生活方式。種類繁多的傳統手工藝扎根於民間,與民生民俗息息相關,以實用、樸素、溫情的品格展現了中國從過往到現代的國計民生和區別於其他文明起源地的文化特征。無論是服務於上層的宮廷工藝、充滿文人趣味的士大夫工藝,還是帶有濃郁鄉土氣息的民間手工技藝,發明創造的初衷源於特定自然環境中中國人的生活所需,蘊涵著生產與生活的造物智慧,是中華文明的重要載體。
The “Chinese Culture” book series includes ten books on philosophical thoughts, literature, art, Chinese characters, festivals, foods and drinks, crafts, clothes, architecture and medicine. Each book introduces the history of a field or theme and the same origin of Chinese culture reflected by it, pursues its existence and manifestation in Chinese people’s life today, tells those “unknown stories” through smooth and relaxing words and exquisite pictures, reveals Chinese people’s thinking habits, behavioral modes, traditional concepts and social life, and helps readers understand “what Chinese people are like and what their thinking modes and living customs are.”
As the old saying goes, “Each place has its own way of supporting its own inhabitants.” For China, an agricultural country backed by the agriculture and handcraft industry in the history, is nowadays permeated with traditional lifestyles originated and derived from the natural conditions in farming society. As an outcome of people’s life and customs, an enormous variety of traditional handcrafts are anchored among the folk. Characterized by cultural features differing from other birthplaces of civilization, such practical, simple and warmhearted arts have always demonstrated China’s national economy and people’s livelihood from ancient to modern times. Speaking of court crafts serving rich and powerful ones, scholar-bureaucrat crafts highlighting the fun of literati and folk crafts spilling local flavor, all the intentions to invent and create have come from Chinese’s daily needs in certain natural conditions. All of these crafts, acting as the important carrier of Chinese civilization, contain the wisdom of creation accumulated during production and life. 作者簡介 郭秋惠,1979年生,畢業於清華大學美術學院藝術史論繫。文學博士,清華大學美術學院藝術史論繫教師、中國工藝美術學會理論委員會會員。主要從事中國工藝與設計的歷史與理論研究。發表論文及訪談30餘篇,出版的著作有:《中國傳統工藝》(合著)、《追逐太陽的光影•鄧偉》(合編)、《中國現代藝術與設計學術思想叢書•吳勞文集》、《傳統與學術:清華大學美術學院院史訪談錄》(合編)、《光華路:中央工藝美術學院影存1956—1999》(合編)等。王麗丹,1978年生,畢業於清華大學美術學院藝術史論繫。文學博士,中原工學院藝術設計學院教師、中國工藝美術學會理論委員會會員。主要從事中外設計歷史與理論研究。發表論文及訪談20餘篇,出版的著作有:《中國現代藝術與設計學術思想叢書•邱陵文集》、《傳統與學術:清華大學美術學院院史訪談錄》(主要撰稿人)、《清華大學美術學院簡史》(主要撰稿人)、《藝術鋻賞》(合編)等。Guo Qiuhui, born in 1979, graduated from the Department of Art History of the Academy of Arts Design of Tsinghua University. She is a Doctor of Letters, a teacher at the Department of Art History of the Academy of Arts Design of Tsinghua University, and a member of the Theory Committee of the China National Arts and Crafts Society. She mainly engages in research on the history and theory of Chinese arts and design, and has published more than 30 papers and interviews. Her published works include: Chinese Art Crafts (coauthor), Pursuing the Light of the Sun – Deng Wei (coeditor), Collection of Academic Thoughts on Chinese Modern Art and Design – Collected Works of Wu Lao, Tradition and Learning: A Collection of Interviews on the History of the Academy of Arts Design of Tsinghua University (coeditor), Guanghua Road: Old Photos of the Central Academy of Arts Design (coeditor), etc.Wang Lidan, born in 1978, graduated from the Department of Art History of the Academy of Arts Design of Tsinghua University. She is a Doctor of Letters, a teacher at the School of Art and Design of Zhongyuan University of Technology, and a member of the Theory Committee of the China National Arts and Crafts Society. She mainly engages in research on the history and theory of Chinese and foreign design, and has published more than 20 papers and interviews. Her published works include: Collection of Academic Thoughts on Chinese Modern Art and Design – Collected Works of Qiu Ling, Tradition and Learning: A Collection of Interviews on the History of the Academy of Arts Design of Tsinghua University (main writer), A Brief History of the Academy of Arts Design of Tsinghua University (main writer), Appreciation of Art (coeditor), etc.郭秋惠,1979年生,畢業於清華大學美術學院藝術史論繫。文學博士,清華大學美術學院藝術史論繫教師、中國工藝美術學會理論委員會會員。主要從事中國工藝與設計的歷史與理論研究。發表論文及訪談30餘篇,出版的著作有:《中國傳統工藝》(合著)、《追逐太陽的光影•鄧偉》(合編)、《中國現代藝術與設計學術思想叢書•吳勞文集》、《傳統與學術:清華大學美術學院院史訪談錄》(合編)、《光華路:中央工藝美術學院影存1956—1999》(合編)等。王麗丹,1978年生,畢業於清華大學美術學院藝術史論繫。文學博士,中原工學院藝術設計學院教師、中國工藝美術學會理論委員會會員。主要從事中外設計歷史與理論研究。發表論文及訪談20餘篇,出版的著作有:《中國現代藝術與設計學術思想叢書•邱陵文集》、《傳統與學術:清華大學美術學院院史訪談錄》(主要撰稿人)、《清華大學美術學院簡史》(主要撰稿人)、《藝術鋻賞》(合編)等。
Guo Qiuhui, born in 1979, graduated from the Department of Art History of the Academy of Arts & Design of Tsinghua University. She is a Doctor of Letters, a teacher at the Department of Art History of the Academy of Arts & Design of Tsinghua University, and a member of the Theory Committee of the China National Arts and Crafts Society. She mainly engages in research on the history and theory of Chinese arts and design, and has published more than 30 papers and interviews. Her published works include: Chinese Art & Crafts (coauthor), Pursuing the Light of the Sun – Deng Wei (coeditor), Collection of Academic Thoughts on Chinese Modern Art and Design – Collected Works of Wu Lao, Tradition and Learning: A Collection of Interviews on the History of the Academy of Arts & Design of Tsinghua University (coeditor), Guanghua Road: Old Photos of the Central Academy of Arts & Design (coeditor), etc.Wang Lidan, born in 1978, graduated from the Department of Art History of the Academy of Arts & Design of Tsinghua University. She is a Doctor of Letters, a teacher at the School of Art and Design of Zhongyuan University of Technology, and a member of the Theory Committee of the China National Arts and Crafts Society. She mainly engages in research on the history and theory of Chinese and foreign design, and has published more than 20 papers and interviews. Her published works include: Collection of Academic Thoughts on Chinese Modern Art and Design – Collected Works of Qiu Ling, Tradition and Learning: A Collection of Interviews on the History of the Academy of Arts & Design of Tsinghua University (main writer), A Brief History of the Academy of Arts & Design of Tsinghua University (main writer), Appreciation of Art (coeditor), etc.
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