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開本：32開 紙張：輕型紙 包裝：精裝 是否套裝：否 國際標準書號ISBN：9787508538983 作者：許淵衝 出版社：五洲傳播出版社 出版時間：2018年01月 原版書名：Golden
"編輯推薦 叢書譯者為許淵衝先生，其從事翻譯工作70年，2010年12月榮獲“中國翻譯文化終身成就獎”；2014年8月榮獲由國際譯聯頒發的文學翻譯領域*獎項——“北極光”傑出文學翻譯獎，成為首位獲該獎的亞洲翻譯家。經許先生的妙手，許多中國經典詩文被譯成出色的英文韻語。這套漢英對照版“許譯中國經典詩文集”荟萃許先生*代表性的英文譯作14種，漢語部分采用中華書局版本。這些作品包括多種體裁，上起先秦，下至清代，既是聯接所有中國人思想、情感的文化紐帶，也是中國文化走向世界的重要橋梁。閱讀和了解這些作品，即可盡覽中國文化的“源頭活水”。相信這套許氏譯本能使英語讀者分享孔子、老子的智慧，分享唐詩、宋詞、中國古典戲曲的優美，並以此促進東西方文化的交流。2015年2月2日，由中國出版協會舉辦的第五屆中華優秀出版物獎在京揭曉， “許譯中國經典詩文集”（漢英對照）（14冊）榮獲“提名獎”。 內容簡介 許淵衝--詩譯英法*人 ，北京大學教授，翻譯家。希望這套許氏譯本能使英語讀者對中國經典詩文也能“知之，好之，樂之”，能夠分享孔子、老子的智慧，分享唐詩、宋詞、中國古典戲曲的優美，並以此促進東西文化的交流。值得珍藏。許淵衝先生從事翻譯工作70年，2010年12月榮獲“中國翻譯文化終身成就獎”。他被稱為將中國詩詞譯成英法韻文的*專家，經他的妙手，許多中國經典詩文被譯成出色的英文和法文韻語。這套“中國經典詩文集”就是由他所譯，前半部分是英文，後半部分是中文。Ancient Chinese classic poems are exquisite works of art. As far as 2,000 years ago, Chinese poets composed the beautiful work Book of Poetry and Elegies of the South, Later, they created more splendid Tang poetry and Song lyrics. Such classic works as Thus Spoke the Master and Laws: Divine and Human were extremely significant in building and shaping the culture of the Chinese nation. These works are both a cultural bond linking the thoughts and affections of Chinese people and an important bridge for Chinese culture and the world. Mr. Xu Yuanchong has been engaged in translation for 70 years. In December 2010, he won the Lifetime Achievement Award in Translation conferred by the Translators Association of China (TAC). He is honored as the only expert who translates Chinese poems into both English and French. After his excellent interpretation, many Chinese classic poems have been further refined into perfect English and French rhymes. This collection of Classical Chinese Poetry and Prose gathers his most representative English translations. It includes the classic works Thus Spoke the Master, Laws: Divine and Human and dramas such as Romance of the Western Bower, Dream in Peony Pavilion, Love in Long-life Hall and Peach Blossom Painted with Blood. The largest part of the collection includes the translation of selected poems from different dynasties. The selection includes various types of poems, lyrics and Yuan, Ming and Qing dynasty songs. The selected works start from the pre-Qin era to the Qing Dynasty, covering almost the entire history of classic poems in China. Reading these works is like tasting "living water from the source" of Chinese culture. We hope this collection will help English readers "know, love and appreciate" Chinese classic poems, share the intelligence of Confucius and Lao Tzu, share the gracefulness of Tang Dynasty poems, Song lyrics and classic operas and songs and promote exchanges between Eastern and Western culture. This book is one of the 14 books of Classical Chinese Poetry and Prose, a translation of Confucian classics Thus Spoke the Master.許淵衝--詩譯英法*人 ，北京大學教授，翻譯家。希望這套許氏譯本能使英語讀者對中國經典詩文也能“知之，好之，樂之”，能夠分享孔子、老子的智慧，分享唐詩、宋詞、中國古典戲曲的優美，並以此促進東西文化的交流。值得珍藏。許淵衝先生從事翻譯工作70年，2010年12月榮獲“中國翻譯文化終身成就獎”。他被稱為將中國詩詞譯成英法韻文的*專家，經他的妙手，許多中國經典詩文被譯成出色的英文和法文韻語。這套“中國經典詩文集”就是由他所譯，前半部分是英文，後半部分是中文。
Ancient Chinese classic poems are exquisite works of art. As far as 2,000 years ago, Chinese poets composed the beautiful work Book of Poetry and Elegies of the South, Later, they created more splendid Tang poetry and Song lyrics. Such classic works as Thus Spoke the Master and Laws: Divine and Human were extremely significant in building and shaping the culture of the Chinese nation. These works are both a cultural bond linking the thoughts and affections of Chinese people and an important bridge for Chinese culture and the world. Mr. Xu Yuanchong has been engaged in translation for 70 years. In December 2010, he won the Lifetime Achievement Award in Translation conferred by the Translators Association of China (TAC). He is honored as the only expert who translates Chinese poems into both English and French. After his excellent interpretation, many Chinese classic poems have been further refined into perfect English and French rhymes. This collection of Classical Chinese Poetry and Prose gathers his most representative English translations. It includes the classic works Thus Spoke the Master, Laws: Divine and Human and dramas such as Romance of the Western Bower, Dream in Peony Pavilion, Love in Long-life Hall and Peach Blossom Painted with Blood. The largest part of the collection includes the translation of selected poems from different dynasties. The selection includes various types of poems, lyrics and Yuan, Ming and Qing dynasty songs. The selected works start from the pre-Qin era to the Qing Dynasty, covering almost the entire history of classic poems in China. Reading these works is like tasting "living water from the source" of Chinese culture. We hope this collection will help English readers "know, love and appreciate" Chinese classic poems, share the intelligence of Confucius and Lao Tzu, share the gracefulness of Tang Dynasty poems, Song lyrics and classic operas and songs and promote exchanges between Eastern and Western culture. This book is one of the 14 books of Classical Chinese Poetry and Prose, a translation of Confucian classics Thus Spoke the Master. 目錄 Contents目 錄Song DynastyPreface Chen TuanMy HermitageLiu KaiOn the FrontierWang YuchengIn BanishmentThe Mourning DayYang PuThe Double Seventh EveKou ZhunOn the RiverLin BuTo the Mume BlossomFan ZhongyanThe Fisherman on the StreamYan ShuTo One UnnamedSong QiTo the Fallen FlowerMei YaochenRoving in the MountainsOuyang XiuReply to a Banished Friend Before the PavilionWritten in DreamSu ShunqinPassing by SuzhouLi GouNostalgiaShao YongSong of Flower SprayWen TongThe Moon Viewed After Rain in the MountainZeng GongThe West Tower......宋 代陳摶歸隱柳開塞上王禹偁村行清明楊樸七夕寇準書河上亭壁林逋山園小梅範仲淹江上漁者晏殊無題宋祁落花梅堯臣魯山山行歐陽珍豐樂亭遊春夢中作蘇舜欽過蘇州李覯鄉思邵雍插花吟文同新晴山月曾鞏西樓...... 前言 PrefaceMusic moulds character, and therefore shares in determining social and political issues. When the modes of music change, the fundamental laws of the state change with them. —PlatoLet me write the songs of a nation, and I care not who makes its laws. —Daniel O’Connell“We can understand a people, best through their poetry,” said Robert Payne in his White Pony, “and the Chinese who have written poetry since the beginning of time have always regarded poetry as the finest flower of their culture.... They have written more poetry than all the other nations of the earth put together.”The Tang Dnasty (618–906) and the Song Dynasty (960–1279) were the Golden Age and the Silver Age of Chinese literature, not only of Chinese but also of world literature, for during the Dark Ages in the West, the Tang and the Song Empire attained the highest political, economic and cultural development not only in the East but also in the whole world. If the reader is interested in the greatest empires that had ruled over the greatest country in the world for more than six centuries, it would not be uninteresting to read Tang and Song poetry, which might reveal the secret of the highest and the longest-established civilization in world history. This secret may be summed up in two words, that is, rite and music. Music imitates the harmony of nature and rite imitates the order of the universe. Rite is instituted to secure the mean in man’s desire and music (including poetry) the mean in man’s sentiment. Rite and music in Confucius’ system are even more important than gymnastics and music in Plato’s system, for rite is to regulate man’s mind, music to harmonize man’s affection, government to promote their performance and law to guard against their violation. In comparison with rite and music, government and law are but secondary, for their main function is but to provide the conditions that make rite and music possible. That may be said to be the gist of Confucian philosophy of government, of which the reader can catch some glimpses in this Golden Treasury of Tang and Song poetry.If the Tang poets imitated the order of the universe as they imitated the harmony of nature, that is to say, they were emotional in imitating both, then the Song poets may be said to imitated the former more than the latter, that is to say, they were more rational and less emotional than their predecessors. After the song of the Tang poets came the logic of the Song philosopher: the first emphasized appreciation and the second understanding. The bestknown poets of the Northern Song Dynasty were Su Shi (1037–1101) and Huang Tingjian (1045–1105). We may read, for instance, one of Su’s poems on Mount Lu:It’s a range viewed in face and peaks viewed from the side,Assuming different shapes viewed from far and wide.Of Mountain Lu we cannot make out the true face,For we are lost in the heart of the very place.If the first couplet leads us to appreciate the beauty of nature, then the second leads us to understand the order of the universe. Strange to say, the understanding of the order of the human world might lead to disaster. For example, we may read another of Su’s poems written after the death of the old emperor and on the ascension to the throne of the new in 1085:The crop still bears a plentiful harvest this year;I feel myself already free from worldly care.On my way back from the Temple good news I hear;Even wild flowers and song birds have a cheerful air.In this quatrain we may find harmony between nature and man, and by “good news” the poet meant the new emperor’s ascension; put his political enemy in power interpreted the “good news” as the death of the old emperor and the poet was exiled far, far away from the capital. This may serve to show how much more the Song Dynasty emphasized the order of the human world than the harmony of nature...
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