目錄

序

導讀

1 非“透視學”視點下的“寫生”

2 從地形到空間的19 個實例

實例 2-1
從“北緯23.45'36.63"，東經117.22'11.19" ”周邊地形所選擇出的建築

實例 2-2 從“北緯23.54'55.90"，東經57.06'02.58" ”
周邊地形所選擇出的建築

實例 2-3
從“北緯31.52'20.67"，東經36.58'39.98" ”
周邊地形所選擇出的建築

實例 2-4
從“北緯31.53'02.68"，東經36.52'23.09" ”
周邊地形所選擇出的建築

實例 2-5
從“北緯32.11'20.17"，東經36.08'46.05" ”
周邊地形所選擇出的建築

實例 2-6
從“北緯23.45'01.54"，東經117.14'03.03" ”周邊地形所選擇出的建築

實例 2-7 從“北緯32.13'03.67"，東經36.08'35.01" ”
周邊地形所選擇出的建築

實例 2-8
從“北緯32.13'10.41"，東經36.14'03.79" ”
周邊地形所選擇出的建築

實例 2-9
從“北緯23.54'27.80"，東經117.28'36.57" ”周邊地形所選擇出的建築

實例2-10從“北緯32.06'07.90"，東經37.22'11.49" ”
周邊地形所選擇出的建築

實例2-11從“北緯14.56'29.75"，東經43.23'25.95" ”
周邊地形所選擇出的建築

實例2-12從“北緯14.52'56.87"，東經43.17'50.12" ”
周邊地形所選擇出的建築

實例2-13從“北緯32.16'08.40"，東經36.05'48.26" ”
周邊地形所選擇出的建築

3 從自然中直接截取的建築

實例2-14從“北緯53.50'51.13"，東經73.24'12.32" ”
周邊地形所選擇出的建築

實例2-15從“北緯34.17'24.41"，東經57.33'20.18" ”
周邊地形所選擇出的建築

實例2-16從“北緯39.59'50.83"，東經120.43'55.90" ”周邊地形所選擇出的建築

實例2-17從“北緯37.30'33.17"，東經122.00'32.90" ”周邊地形所選擇出的建築

實例2-18從“北緯35.38'12.54"，東經120.46'43.01" ”周邊地形所選擇出的建築

實例2-19從“北緯40.45'16.15"，東經144.52'45.92" ”周邊地形所選擇出的建築

實例3-1
直接截取“北緯36.75'84.63"，東經110.49'35" ”
周邊隆起的地形所獲得的空間形態

實例3-2
直接截取“北緯37.46'65.09"，東經110.99'91.12"”周邊隆起的地形所獲得的正向空間形態

實例3-3
直接截取“北緯37.46'65.09"，東經110.99'91.12"”周邊隆起的地形所獲得的負向空間形態

實例3-4
直接截取“北緯24.38'16.94"，東經121.11'84.74"”周邊隆起的地形所獲得的空間形態

實例3-5
直接截取“北緯7.32'52.19"，東經134.49'15.70"”
周邊隆起的地形所獲得的空間形態

Contents

Preface

Introduction

1 “Paint from life” based on
“non-perspective science”

2 19 samples of transformation from
landform to space

Sample 2-1

Sample 2-2

Sample 2-3

Sample 2-4

Sample 2-5

Sample 2-6

Sample 2-7

Sample 2-8

Sample 2-9

Sample 2-10

Sample 2-11

Sample 2-12

Sample 2-13

Sample 2-14

Sample 2-15

Architecture chosen from landform around
23.45'36.63" N, 117.22'11.19" E

Architecture chosen from landform around
23.54'55.90" N, 57.06'02.58" E

Architecture chosen from landform around
31.52'20.67" N, 36.58'39.98" E

Architecture chosen from landform around
31.53'02.68" N, 36.52'23.09" E

Architecture chosen from landform around
32.11'20.17" N, 36.08'46.05" E

Architecture chosen from landform around
23.45'01.54" N, 117.14'03.03" E

Architecture chosen from landform around
32.13'03.67" N, 36.08'35.01" E

Architecture chosen from landform around
32.13'10.41" N, 36.14'03.79" E

Architecture chosen from landform around
23.54'27.80" N, 117.28'36.57" E

Architecture chosen from landform around
32.06'07.90" N, 37.22'11.49" E

Architecture chosen from landform around
14.56'29.75" N, 43.23'25.95" E

Architecture chosen from landform around
14.52'56.87" N, 43.17'50.12" E

Architecture chosen from landform around
32.16'08.40" N, 36.05'48.26" E

Architecture chosen from landform around
53.50'51.13" N, 73.24'12.32" E

Architecture chosen from landform around
34.17'24.41" N, 57.33'20.18" E

3 Architecture directly extracted from
nature

Sample 2-16

Sample 2-17

Sample 2-18

Sample 2-19

Sample 3-1

Sample 3-2

Sample 3-3

Sample 3-4

Sample 3-5

Architecture chosen from landform around
39.59'50.83" N, 120.43'55.90" E

Architecture chosen from landform around
37.30'33.17" N, 122.00'32.90" E

Architecture chosen from landform around
35.38'12.54" N, 120.46'43.01" E

Architecture chosen from landform around
40.45'16.15" N, 144.52'45.92" E

Spatial patterns acquired by directly
extracting upheaval area

around 36.75'84.63"N, 110.49'35"
E

Spatial patterns of forward direction
acquired from upheaval landform

around 37.46'65.09" N,
110.99'91.12" E

Spatial patterns of negative direction
acquired from upheaval landform

around 37.46'65.09" N,
110.99'91.12" E

Spatial patterns acquired by directly
extracting upheaval area

around 24.38'16.94"N,
121.11'84.74" E

Spatial patterns acquired by directly
extracting upheaval area

around 7.32'52.19"N,
134.49'15.70" E

將大自然的地貌形態直接轉化為具有建築含義的空間形態，是這本書重點要討論的問題。這種將自然與建築相結合的想法，源於20世紀90年代末的一次從北京至成都的飛機途中。當我從由北京出發的班機上俯瞰到太原一帶如刀削的地貌，俯瞰到進入西安一帶的高原臺地，俯瞰到四川境內煙霧繚繞的山巒，過程中所呈現的山形地貌的變化以及彼此間的對比，都在述說著地域本身所擁有的視覺特征。地形的畫面感，河流的曲線，讓我看到了其中所呈現的空間，看到了其中所呈現的建築，自然也看到了展現於其表面的地形地貌所呈現出的體塊特征。

隨著衛星地圖的發展，“鳥瞰自然”本身變得如此容易，獲得大地圖像的方式也變得如此輕而易舉，而這種“鳥瞰自然”圖像技術的發展終也促使著觀念的變化。於此所呈獻的這本《建築與自然》，是希望能夠將我在這一繫列“鳥瞰自然”過程中所看到的大地這一自然形態本身所呈現出的空間與建築轉而呈獻給讀者，希冀透過這一切，使讀者能夠由此而看到和發現更多自然本身正在呈現著的新的空間與建築的世界。

The book focuses on the issue of direct transformation
from natural landforms into spatialpatterns with architectural meanings. This
idea of integrating nature with architecture originatedfrom a flight from
Beijing to Chengdu in the late 1990s. Starting from Beijing, I watcheddownwards
from the plane the difference and contrast among various landforms along
thejourney, such as steep cliffs around Taiyuan city, plateaus and terraces
around Xi’an city andmist-shrouded mountains in Sichuan province, all
expressing visual features possessed byterritories themselves. The picturesque
landforms and curvy rivers, in addition to presentingblock features on the
surface, reveal space patterns and architecture forms contained within.With the
development of satellite maps, it becomes easier and easier to “get a
bird’s-eye viewof nature” and obtain images of land. Meanwhile, the development
of such graphic technologymay finally promote change of concepts.

This book, Nature and Architecture, is
expected to show readers what I have discoveredduring serial observations of
“aerial view of nature”: space and architecture revealed by naturalpatterns of
land. I hope readers can, through all these, see and find more new spaces
andarchitectures worlds that nature itself is revealing.

王昀

Wang Yun

2016年05月