紀念中國藝術研究院建院70年專題——————————————————————————————————————————
1/張庚筆記張庚
35/從心所欲不逾矩安葵
——為中國戲曲研究院成立70周年作
47/近十五年傅惜華藏戲曲文獻整理研究述評郭英德徐暢
61/中國藝術研究院70年來戲曲文獻整理研究述要孫書磊
95/大團隊、大格局、大視野、大手筆康保成
——張庚學術團隊在“新時期”的歷史貢獻述略
117/先上馬,後加鞭董上德
——中國戲曲的演化路徑與“前海學派”的深度闡釋
130/一項前無古人的民族戲曲工程苗懷明
——《中國戲曲志》編纂始末
146/中國藝術研究院戲曲研究所的戲曲文物研究車文明高健
156/“前海”與當代中國戲曲評論傅謹
168/張庚先生對戲曲音樂的學術思
——從閱讀《張庚日記》說起
191/《戲曲研究》之臺灣地區戲曲研究概觀蔡欣欣
戲曲學田野調查方法研究———————————————————————————————————————————————————————————
210/以歷史人類學視角實施戲曲田野考察的意義項陽
225/田野調查和學術整體觀劉曉真
240/關於戲曲民族志的思考沙垚
深度訪談————————————————————————————————————————————————————————————————————————————————————————
252/一心一戲一念一劇莫非孫冰娜
——青年導演莫非訪談
戲曲史研究————————————————————————————————————————————————————————————————————————————————————
269/試論《臨川夢》對《牡丹亭》的再現與批評王瑜瑜
291/近代戲曲家吳承烜及其《蜃樓記續傳奇》考論姚大懷
305/從“歌舞演故事”到“故事演歌舞”張利群梁燕
——論“梅舞”的緣起與形成
學術動態————————————————————————————————————————————————————————————————————————————————————————
321/海不辭水,故能成其大王靜波張靜王學鋒
——中國藝術研究院建院70周年“前海論壇”繫列活動
之“中國戲曲當代發展研討會”暨“紀念張庚先生
誕辰110周年”“紀念《戲曲研究》復刊41周年”
等學術活動述要
337/《戲曲研究》稿約
340/《戲曲研究》2022年度約稿專題
raditionalChineseDramaResearchNo.119
CONTENTS
SpecialIssuetoCommemoratethe70thAnniversaryofthe
FoundingoftheChineseNationalAcademyofArts
ZhangGeng'sNotesZhangGeng(1)
DoingatWillwithoutOversteppingtheLine: Forthe70thAnniversary
oftheFoundingoftheChineseAcademyofTraditionalChinese
DramaAnKui(35)
AReviewofResearchonFuXihua'sCollectionofTraditionalChinese
DramaLiteratureinthePast15Years
GuoYingdeXuChang(47)
ASummaryoftheResearchonTraditionalChineseDramaLiterature
CollationoftheChineseNationalAcademyofArtsinthe
Past70YearsSunShulei(61)
BigTeam, BigStructure, BigVisionandBigMasterstroke: ABrief
AccountoftheHistoricalContributionsofZhangGeng's
AcademicTeaminthe“New Era”KangBaocheng(95)
GettingontheHorseFirst, thenAddingtheWhip: TheEvolutionPath
ofChineseTraditionalDramaandtheDeepExplanationof
QianhaiSchoolDongShangde(117)
AnUnprecedentedTraditionalDramaProject: TheCompilation
HistoryofTheAnnalsofChineseTraditionalDrama
MiaoHuaiming(130)
ResearchonTraditionalDramaCulturalRelicsoftheInstituteof
TraditionalChineseDramaoftheChineseNationalAcademyofArts
CheWenmingGaoJian(146)
“Qianhai School”andContemporaryTraditionalChineseDramaCriticism
FuJin(156)
Mr.ZhangGeng'sAcademicThoughtsonTraditionalChineseDrama
Music: StartingfromreadingZhangGeng's
DiaryWangRenyuan(168)
ASummaryoftheAcademicStudiesonXiquinTaiwanin“Traditional
ChineseDramaResearch”CaiXinxin(191)
ResearchontheFieldInvestigationMethodof
TraditionalChineseDramaTheSignificanceofFieldworkinTraditionalChineseDramafromthe
PerspectiveofHistoricalAnthropologyXiangYang(210)
FieldworkandAcademicHolisticViewLiuXiaozhen(225)
ThoughtsontheEthnographyofTraditionalChineseDrama
ShaYao(240)
In-depthInterview
OneMindforPlay, OneThoughtforDrama: InterviewwithMoFei,
AYoungDirectorMoFeiSunBingna(252)
ResearchofTraditionalChineseDramaHistory
OntheReappearanceandCriticismofThePeonyPavilionin
LinchuanDreamWangYuyu(269)
ATextualResearchonWuChengxuan, aModernDramatistandHis
ChuanqiSequelofMirageYaoDahuai(291)
From“Playing the Story through Song and Dance”to“ShowingSong
andDancethroughtheStory”:OntheOriginandFormationof
“Mei Lanfang's Dance”ZhangLiqunLiangYan(305)
AcademicEvents
TheSeaNeverLosesitsWater, SoItCanGrowBig: Summaryofthe
AcademicEventsof“SymposiumontheContemporaryDevelopment
ofChineseTraditionalOpera”and“Commemoratingthe110th
AnniversaryofMr.ZhangGeng'sBirth”and“Commemorating
the41stAnniversaryoftheReissueof‘TraditionalChineseDrama
Research’of“Qianhai Forum”toCommemoratethe70th
AnniversaryoftheFoundingoftheChineseNationalAcademyof
ArtsWangJingboZhangJingWangXuefeng(321)
CallforPapers(337)
MajorTopicsin2022(340)