文學研究變得無所不包之後,它同其他學科的區分如何確立?鋻於此,在郭冰茹主編的《海外中國現代文化研究文選/蘇州大學海外漢學研究叢書》文字之中,作者有意混淆文學、歷史、社會、藝術等領域的研究成果。本書共有7篇文章,全面展示了文化研究在現代文學研究領域的繁榮面貌。
1.Foreign Travel Through a Woman’S Eyes:Shan Shili’S GuirneoI~xing ji in Local and Global Perspective(ELLEN WIDMER)
2.Tears That Crumbled the Great Wal l:The Archaeology ofFeel ingin the May Fourth Folklore Movement(HAIYANLEEl
3.FrOm Teahouse to Playhouse=Theaters as Social TextsinEarly—Twentieth—Century China(JOSHUA GOLDSTEIN)
4.Gendered Spectacles:Lu Xun on Gazing at Women andOtherPleasures(Eileen J.Cheng)
5.The New Woman Commits Suicide:The Press,CulturalMemory,and theNew Republic(BRYNA GOODMAN)
6.Sorrow After the Honeymoon:The Controversy overDomesticity inLate Republican China(Lu Liu)
7.Away from Nanking Road:Small Stores and NeighbohoodLife inModern Shanghai(HANCHAO LU)
【編後記】
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