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開本：16開 紙張：純質紙 包裝：精裝 是否套裝：否 國際標準書號ISBN：9787508540177 作者：蔡燕歆 出版社：五洲傳播出版社 出版時間：2018年08月 原版書名：Sharing
" 內容簡介 “中華之美”叢書圍繞中華優秀傳統文化這一主題，擇取其中15個專題分別加以介紹。這15個專題，包括以思想、智慧、藝術為主的“無形遺產”，以工藝、器物為主的“有形遺產”，以衣食住行樂為主的“民俗生活”，它們精心構架，有機結合，勾勒出中國文化的一個總體面貌，並反映出“中華文化獨一無二的理念、智慧、氣度、神韻”。“中華之美”叢書圍繞中華優秀傳統文化這一主題，擇取其中15個專題分別加以介紹。這15個專題，包括以思想、智慧、藝術為主的“無形遺產”，以工藝、器物為主的“有形遺產”，以衣食住行樂為主的“民俗生活”，它們精心構架，有機結合，勾勒出中國文化的一個總體面貌，並反映出“中華文化獨一無二的理念、智慧、氣度、神韻”。
唐長安城到底什麼樣？“寺”是什麼意思？皇家園林與私家園林有何區別？中國的近現代建築經歷了怎樣的變化？新世紀的中國建築又呈現出怎樣的特點？本書結合大量精美的圖片，希望能夠帶領讀者倘徉在中國建築幾千年的歷史長河之中，從古代傳統建築的輝煌成就、近現代時期紛繁復雜的發展歷程，到當今壯麗的現代城市景觀，為有興趣的人士展現一個較為整體的中國建築的面貌。
What was Chang’an City like in the Tang Dynasty? What is the meaning of “temple”? What are the differences between an imperial garden and a private garden? What changes did Chinese modern and contemporary architecture go through? What characteristics does Chinese architecture show in the new century? This book containing a lot of exquisite pictures is intended to guide readers through China’s long architectural history of thousands of years from the glorious achievements in ancient traditional architecture and the complicated course of development in the modern and contemporary era to today’s magnificent modern cityscapes and show a relatively complete picture of Chinese architecture to interested people. 作者簡介 蔡燕歆，女，1980年生，籍貫浙江嘉興。2009年畢業於上海同濟大學建築與城市規劃學院，獲博士學位。現任西南交通大學建築學院副教授。主要研究方向：傳統建築文化、歷史文化城鎮與傳統建築保護利用。
Cai Yanxin, female, born in 1980, is a native of Jiaxing, Zhejiang. She graduated from the College of Architecture and Urban Planning, Tongji University in Shanghai with a doctoral degree in 2009. Now she is an associate professor at the School of Architecture, Southwest Jiaotong University, mainly studying traditional architectural culture, historical and cultural towns, and protection and utilization of traditional architecture. 目錄 Foreword Ancient Cities Capital Construction Local Cities Military Defense Supreme Imperial Power Palace Buildings Temple Buildings Tomb Buildings Temples of Gods Confucian Buildings Buddhist Buildings Taoist Temples Islamic Buildings Christian Buildings Appreciation of Gardens Imperial Gardens Private Gardens Vernacular Dwellings Western Influences on Chinese Architecture Pursuit of Self – Modern Architecture Towards the New Period Development of Modern Architectural Trends Diversified Architectural Styles Works of Foreign Architects in China Architecture of Hong Kong, Macao and Taiwan 前言 China’s architectural development history can be traced back to ancient times when birds, beasts, worms and snakes ran amuck everywhere. “A sage built houses with wood to protect people from harm.” (Hanfeizi – Five Vermin) At that time, the course of development of Chinese ancient architecture with wood structure as the main part supplemented by bricks, tiles and stones began. Chinese ancient architecture was not only drawn on for reference in modern architectural design, but also exerted global influence and became cultural heritage receiving worldwide attention a long time ago. Appreciating Chinese ancient architecture is like opening a thick history book. The ancient legends, the great achievements of the First Emperor of Qin and Emperor Wudi of the Han Dynasty, the great Tang Empire, the events in the imperial palaces of the Ming and Qing dynasties, and the intelligence and wisdom of innumerable ordinary laborers not mentioned in historical books are vividly recorded by it.In terms of architectural types, Chinese ancient architecture includes imperial palaces, temples, palace halls, residences, tombs, garden architecture, etc. Among them, palaces, temples, tombs, etc. all have similar architectural forms and overall layouts, i.e. they are symmetrical and orderly, the important and less important parts are clearly distinguished, and a central axis links various closed courtyards and shows the closed, precise and reserved national character or pure Confucian style. Only garden architecture is different with free and flexible layouts full of changes, pursuing a natural atmosphere to the utmost and of course having more traces of Taoism. " | | |
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